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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...

Music: Michael Feinstein

I caught Michael Feinstein's final concert at the Leicester Square theatre and he is sounding as good as ever. The last time I saw him he was performing with a big band at the Palladium. There was much gushing and gratuitous cameo celebrity appearances. This time around things were much smaller scale and far more enjoyable...

The programme included a selection of songs from the likes of Gershwin and Porter, which is now classified as "The American Songbook" A rather generic label for any song that is old (in danger of being lost), with a pleasant tune, and lyrics that are usually well written.


While his performance introduced a few new songs into the mix, what is nice about listening to Feinstein is his ability to give these songs a new lease of life. Even for songs you have heard him sing before he manages to make them sound as fresh and as interesting as they could ever be.

He has two new albums out as well - one with Barbara Cook and the other Fly Me To the Moon with guitarist Joe Negri. I still like his songs by the Gershwin's album best, Nice Work If You Can Get It. It must be fun travelling around singing this songs. And for a man in his fifties he is looking good for his age and in great shape... Maybe that is the trick to looking young and fit by being surrounded by audiences that are older and fatter... Or perhaps a sign that his fanbase could be broader...

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