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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Theatre: The Pitchfork Disney

Wednesday night I was fortunate enough to see the first preview of The Pitchfork Disney at the Arcola Theatre in Dalston.

It is a mildly unnerving post-apocalyptic tale of dreams, nightmares, chocolate and things that bug you... Nothing is quite what it seems in this play. And through a series of monologues, there are laughs and shocks. It is hard to talk too much about the play without giving it away. But it is a showcase for some very talented actors.

Chris New - who was in the well-received movie Weekend - gives an intense performance as Presley. He is great to watch along with co-star Nathan Stewart-Jarrett (pictured) as Cosmo Disney. Both manage to make their crazy roles believable and interesting in as much as that is possible. Rounding out the cast is Mariah Gale and Steve Guadino...

Philip Ridley's play celebrates its 21st anniversary this year. While it may not be as shocking to audiences now as it was then. It does have a certain unnerving quality that remains, and this production does show the work at its best. The creepy theatre space of the Arcola - where there is a fine line between the ghosts of past industry that inhabited the building and organic beers - also adds to the tension.

It runs through to March. The musings of @johnnyfoxlondon and I follow (with apologies to Webcowgirl as she was stuck in the line for the ladies while we were boo-ing - or she was hiding somewhere after being disturbed by the show - I was not sure)...
Boo about pitchforks: Pitchfork Disney (mp3)

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