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Somewhere that's green: Potty the Plant at Wiltons Music Hall

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"I'm Potty the Plant," sings a potted plant in this odd little fringe concept of a show. It's hard not to get the tune out of your head, even if the show is brief. It's an earworm for a show that features a worm-like plant as a puppet. And given the show's brevity, running at only an hour, it's hard to get too annoyed by a lack of a coherent story, even if it still seems like the show could use a bit more development (which is underway). It has made its London debut at Wilton's Music Hall. The premise is that Potty, the plant, lives in the hospital office of Dr Acula (geddit?) and dreams of a life with the cleaning lady Miss Lacey (Lucy Appleton). But Dr Acula might be responsible for why all these children are disappearing while trying to romance Miss Lacey for her family's money that she doesn't have. Three nurses are on the case, trying to solve the mystery.  If the show settled on a convincing plot, location and set of characters, it could ...

Brief encounters: La Tragédie de Carmen @popupoperauk

In La Tragédie de Carmen, Popup Opera have a distilled version of Bizet’s Carmen devised by Peter Brook in the early 1980s. The gypsies are gone and all that’s left is the love triangle. And some of the best tunes...

Carmen in some ways can survive being messed about with. The Royal Opera afterall is presenting Carmen in a gorilla suit. Cutting out large chunks of the story and setting it during the Spanish Civil War makes less sense. And in the venue of the Peckham Asylum the sightlines were a bit challenging. But it still works better than expected.

Popup Opera is known for their fresh take on comic operas that tour around the country. But they are on a winner with a more dramatic piece for their autumn season. It doesn’t mess about getting to the best arias. And it helps they’ve assembled a youthful and impressive quartet to bring out the passion.

Chloe Latchmore dazzles as Carmen, using her body and her voice as the seductive and sensual woman. She holds your attention with her clear and strong vocals.

Indonesian tenor Satriya Krisna is just as imposing as Don Jose. Escamillo is an officer haunted by the war here and played by a mildly heroic James Corrigan. Rounding out the cast is Alice Privett as a strong and feisty Micaëla.

Piano accompaniment is by regular Popup Opera music director Berrak Dyer, makes it seem like you’re hearing a full orchestra, bringing out all the subtleties of Bizet’s score.

The moody lighting and projections work well in the Asylum Chapel. The location is an astonishing relic in the heart of Peckham. Even if those who sat further back missed out on some of the drama, the venue made up with it with its chilly atmosphere. Other venues the production tours to may offer better sightlines but I suspect they won’t offer better ambiance.

Directed by John Wilkie, La Tragédie de Carmen plays at various locations until 23 November. Check their website for details.

⭐️⭐️⭐️⭐️

Photos by Ugo Soffientini

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