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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Hull on earth: Starved @TheHopeTheatre

It’s a game of survival of the fittest in Starved. A desperate world set in a bedsit on a rough estate in Hull in northern England. Two characters circle each other like wild animals as their circumstances and choices strip them of their dignity. And any creature comforts. It’s a short and provocative piece that’s currently at The Hope Theatre in Islington.

Money may not be able to buy you happiness, but it gives you options. Here the two young characters, Lad and Lass, have nothing. They’re on the run and hiding out, having dropped out of society. But they’re running out of luck too, trying to get by living on a diet of cup-a-soups and whatever they can steal.

Writer Michael Black (who also plays Lad) lures you into moments of comedy before quickly shifting gear into much darker territory.  Imprisoned by their circumstances, they retreat into a world of hunger, scraps, sexual favours and addiction until they hit the point of no return. But it’s such a natural progression that the power of the piece is how it highlights how easy it is to be young and poor and drop off the radar.

Both Black and Alana Connaughton keep you on the edge of your seat with their sparring. And it’s underscored by an unsettling soundtrack that ratchets up the tension in the piece as it develops and the two young people reach their breaking points.

A simple production which marked out by ropes that make it feel like the characters are in a boxing ring. A dirty mattress is in one corner and strewn about are a few bottles of vodka and a few empty cup-a-soup packets. It’s grim, yet evocative.

Directed by Matt Strachan, Starved is at The Hope Theatre until 3 August.

⭐️⭐️⭐️⭐️

Photos by lhphotoshots



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