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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...
I have not often walked down this street before...
* But there is less trash walking down the other side of the street where I live.
* I don't bother looking into the dark alleyways

Job on offer I can start next week. But there are a few others (that pay more £££) in the pipeline but they look like they are going to take a bit looooooonger to happen. A job in the hand I suppose is worth many more that could be out there...

Touristy things...
* After yesterday mornings interview I hit the internet cafe and then went to the National Portrait Gallery. There were quite a few things to fascinate and amuse there. The civil war section was interesting and so was the Victorian era and early 20th Century paintings. Incidentally on this day in 1658 the Lord Protector of England died trying to work out what sort of republic and system of government England should have. Silly git. By the time one got to the Andy Warhold silk screen print of Joan Collins, you couldn't help think that the last half of the 20th Century seemed to miss something that the previous five hundred years of portraiture offered.
* After spending a couple of hours at the NPG, I took the tube to the British Museum. I really wasn't in the mood for seeing room after room full of stuff the Empire had plundered from Egypt and Greece, although the Rosetta Stone was pretty interesting. I focussed mainly on the European history which was quite fascinating. The Roman occupation and the Viking invasions were most interesting. There was also a special exhibit on London in 1753 that also caught my interest. All told, four hours had elapsed before I emerged out of the museum. I believe my brain was full by then.

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