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Travelin' Through: Broken Toys @CervantesTheatr

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Things are a bit different at the Cervantes Theatre when you see Broken Toys. You enter through the upstairs dressing rooms and go down to the theatre. It is a circuitous route, much like the story of Marion. You end up in the same place but have taken a different journey. And like what the old prostitute said. It's not the work but the stairs. And there before you is the theatre, but not entirely as I recall it. It feels like an intimate cabaret venue with tables and a shiny stage. And there we are introduced to Marion. Marion grew up in a small town during the Franco regime. A place where looking a bit different could make you the subject of gossip and a threat to your life. And despite being assigned male at birth and the attempts of family and father figures, she was an outsider in her town.  And so Marion sets off on a journey to the city. And in the shadows, she finds a place to hide. But with guidance from drag performer Dorian Delacroix begins to find her voice. Her journe
I have not often walked down this street before...
* But there is less trash walking down the other side of the street where I live.
* I don't bother looking into the dark alleyways

Job on offer I can start next week. But there are a few others (that pay more £££) in the pipeline but they look like they are going to take a bit looooooonger to happen. A job in the hand I suppose is worth many more that could be out there...

Touristy things...
* After yesterday mornings interview I hit the internet cafe and then went to the National Portrait Gallery. There were quite a few things to fascinate and amuse there. The civil war section was interesting and so was the Victorian era and early 20th Century paintings. Incidentally on this day in 1658 the Lord Protector of England died trying to work out what sort of republic and system of government England should have. Silly git. By the time one got to the Andy Warhold silk screen print of Joan Collins, you couldn't help think that the last half of the 20th Century seemed to miss something that the previous five hundred years of portraiture offered.
* After spending a couple of hours at the NPG, I took the tube to the British Museum. I really wasn't in the mood for seeing room after room full of stuff the Empire had plundered from Egypt and Greece, although the Rosetta Stone was pretty interesting. I focussed mainly on the European history which was quite fascinating. The Roman occupation and the Viking invasions were most interesting. There was also a special exhibit on London in 1753 that also caught my interest. All told, four hours had elapsed before I emerged out of the museum. I believe my brain was full by then.

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