Scenes from Hammersmith and City Line Monday 21:41 - Listening to iPOD between Farringdon and Kings Cross St Pancras. Have just downloaded Ute Lemper's latest album Blood and Feathers. Its recorded live and is what some people I know would describe as her "head up her arse album" given the self-indulgent asides into screeching and germanic-jazz-scat that sounds like scheisse. Ute is a bit like that though. I'll keep buying her albums anyway as listening to Ute is always an experience... Posted by Picasa

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Opera and full frontal nudity: Rigoletto

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David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House.

This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve...

Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here.

Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understand the…
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Fluffing it: Rouge @Underbellyfest

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It's not enough for a circus act nowadays to offer a series of acrobatic feats. Nowadays, they are pushing all sorts of conventions. There's the all-male, the all-female, the all minimalist. Rouge is the all gender fluid pan-sexual circus for grown-ups who like a bit of everything. But only if that everything includes a little bit of nudity and a bit of mild titillation. 
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The woke and the trolling: Scrounger @Finborough

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Athena Stevens takes her experiences with an airline that damaged her wheelchair and refused to pay for a replacement into a sharp and an incisive piece on how discrimination affects disabled people. The incident led to her confinement in her flat in Elephant and Castle for months while she tweeted about the experience and gained media attention. And was called a scrounger by the usual band of internet trolls. It’s currently playing at the Finborough Theatre.

It's an exciting piece of storytelling that puts you in her shoes. Stevens is a detailed storyteller, and she expertly covers the everyday ordeals that people with disabilities face. From the passive aggressive remarks uttered by flight attendants to friends who have trouble thinking that Elephant and Castle is a part of central London. It's all told with humour, warmth and a healthy amount of outrage.

While the case was eventually settled, she explains as far as her non-disclosure agreement allows, how people, including…
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