Featured Post

Bit parts: Garry Starr Performs Everything @swkplay

Image
Garry Starr Performs Everything is a bare-bones (and bare buttocks) tribute to the theatre. Theatre may be in trouble, and audiences are down, but Garry Starr aims to save the theatre and bring back to the masses every style of theatre possible. As long as each style involves wearing a transparent white leotard or a skimpy thong. And tassels. It's part comedy, part physical comedy and part perv at Gary's physical prowess. The sentiment "if you've got it, flaunt it" applies here. So here we are with a show that has been around for some years and is having its first proper London run at the Southwark Playhouse (Borough) through Christmas. The premise is that Garry Starr (played by Damien Warren-Smith) has left the Royal Shakespeare Company over artistic differences. He is now on a mission to save the theatre from misrepresentation and worthy interpretations by doing things such as a two-minute Hamlet, recreating scenes from a Pinter play using unsuspecting audience
Theatre: How To Succeed in Business Without Really Trying

Of course there was another reason to travel to Chichester yesterday and that was to catch How To Succeed in Business Without Really Trying before it ended. It is a very silly show although one could get some career guidance out of the central message that a little bit of research and a lot of brown-nosing can get you anywhere if you play your cards right.

The show was a lot of fun and well staged in the Chichester Festival Theatre. It is a very funny show and despite some of the stereotyping and sexual innuendo (or perhaps because of it) it still holds up well. Some songs such as "A Secretary Is Not A Toy" had difficulty being accepted by the mild-mannered Chichester audiences. They were much more comfortable with the standard from the show (I don’t think there is more than one) "I believe in you". The little old folk beside me at the back row were humming away to that one (a pity they were drowning out the ever-so-faint leads)... Such are the things audience members have to endure when they see something in repertory in Chichester no doubt.

It was a pretty faithful revival to the original production which was a bit unfortunate as at three hours it could have done with a little trimming. It seems to be a trend with revivals at the moment (well at least with Frank Loesser shows) to throw in every musical number ever connected to the show to please the aficionados out there. This is fine if the songs are any good, but just as the West End production of Guys and Dolls pads out the first act with a throwaway number "Adelaide", this show inflicts us with "Cinderella Darling" which was cut from the 1995 Broadway revival on the grounds surely that it made the all-female secretaries look like meek pathetic little things.

I am also not so sure if the female lead of Rosemary played by Fiona Dunn should have been so bland and have such bad posture. She was outshone a little by the blonde bombshell Heddy (played by Annette McLaughlin). But despite all this the audience was still on Rosemary's side... Finch was played by (the very nice Scotsman) Joe McFadden who had great comic timing which made up for what he was lacking in the vocal department. I Last saw him in Aladdin at Christmas last year where he was just as silly there as well.

So overall the set was great, the ensemble terrific and the dancing excellent and all those other things that make something entertaining were there (although nobody flew across the stage on wires which is very popular nowadays – even if the reason is a bit dodgy). Who could ask for anything more? More coffee perhaps... Especially to stay awake for the duration of the last train back to London. One could stay in Chichester for more than an afternoon, but that would be stretching it I think...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial security
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...