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Sleight of hand: The Fabulist @charingcrossthr

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Billed as a musical comedy, The Fabulist is actually a rare chance to see Giovanni Paisiello’s rarely performed light opera, The Imaginary Astrologers , translated and updated to Mussolini’s Italy. With sublime music, fine singing and a bit of additional silliness thrown in for good measure, it’s a welcome addition to the choices available on the West End. It’s currently playing at Charing Cross Theatre . In this update, the action moved to Italy in 1929. A magician (or, as he prefers to be called, Fabulist), Julian is on the run from both the fascists and the Catholic Church. On the run, he stumbles on a film shoot and dazzles the screenwriter Clarice with his charm while her sister tries to complete a series of mildly subversive historical films. What will win in a battle of ideas between science and magic, the church and the Fabulist? It’s an evening of light operatic comedy, so there are no prizes for guessing.  Experts in clerical fascism and fascist mysticism may find some of the

Movies: The Producers and the King

Tonight I caught the movie of The Producers as the weather is great for seeing a few films at the moment… As for the film, it isn't bad although I think Will Ferrell can neither act nor sing and Uma Thurman can neither sing nor dance (nor does she have the big tits required for the role). In a way it is amazing how little talent movie and television stars need nowadays. Unfortunately for Will and Uma the need to sing, dance, act and be funny in this movie does not make them look so good…

Anyway the movie is pretty much the same as the show and the original 1968 film. Some scenes seem to be lifted straight from 1968, including the way they were shot which seemed either homage to the original movie or the movie musicals of the 1950s. Whatever the inspiration it looked great (not sure about Broderick's hair colour however).

Pity about the cutting of "The King of Broadway" number however. Apart from being funny, if it were included it might have prepared the audience for the onslaught of broad acting and humour that seems to be what has bugged most people about the film. Then again the length of the film bugs people as well. King Kong is three hours but the gorilla doesn't sing.

Incidentally as the Musical is still playing on the West End there was an ad reminding everyone that they do it eight times a week at the Theatre Royal. Sure Nathan Lane isn't in it, but one suspects that the West End cast are happier that that's the case…

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