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The brown word: Death on the Throne @gatehouselondon

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We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Movies: The Producers and the King

Tonight I caught the movie of The Producers as the weather is great for seeing a few films at the moment… As for the film, it isn't bad although I think Will Ferrell can neither act nor sing and Uma Thurman can neither sing nor dance (nor does she have the big tits required for the role). In a way it is amazing how little talent movie and television stars need nowadays. Unfortunately for Will and Uma the need to sing, dance, act and be funny in this movie does not make them look so good…

Anyway the movie is pretty much the same as the show and the original 1968 film. Some scenes seem to be lifted straight from 1968, including the way they were shot which seemed either homage to the original movie or the movie musicals of the 1950s. Whatever the inspiration it looked great (not sure about Broderick's hair colour however).

Pity about the cutting of "The King of Broadway" number however. Apart from being funny, if it were included it might have prepared the audience for the onslaught of broad acting and humour that seems to be what has bugged most people about the film. Then again the length of the film bugs people as well. King Kong is three hours but the gorilla doesn't sing.

Incidentally as the Musical is still playing on the West End there was an ad reminding everyone that they do it eight times a week at the Theatre Royal. Sure Nathan Lane isn't in it, but one suspects that the West End cast are happier that that's the case…

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