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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Theatre: Burn not chatroom then citizenship...

Monday night I forgot I was at the National Theatre again to see "Burn, Chatroom and Citizenship" – three new one-act plays. Except that they only perform two and I was stuck with "Burn" during the first half. It was a bit of a bore, although had some nice commentary about social workers and car stealing. The second half was "Citizenship" and it was much more lively and funnier (no surprise when it was written by Mark Ravenhill of "Shopping and Fucking" fame). The tale about a boy who sees a girl and gets her pregnant while looking for a gay relationship was pretty funny. The characters and dialogue were fantastic (even if the plot was a bit suspect)…

The crowd was a very young crowd as these performances were originally performed at the NT last year by school children, and they all have yoof feemes and all that… So once you got past the audience belching and laughing at the wrong parts it was a good night out…  

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