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Still here: While They Were Waiting - Upstairs At The Gatehouse

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As the song goes, time heals everything. Or as another song says, it's time after time. Yet waiting—for a moment, a minute, or even a while—can feel like a chore. In Gary Wilmot’s slightly absurd and silly While They Were Waiting, the focus is on waiting and wordplay. No opportunity is missed to find more than one meaning in what is said. A debate arises about the difference between a smidge and a whisker. There's a playful riff on how you can be here and over there at the same time, depending on your standpoint. If this piece has a point at all, it depends on what you find funny. The concept of waiting-related language is, in itself, amusing, and there is plenty to laugh about in this show. It’s currently playing at Upstairs at the Gatehouse . The premise is simple: Mulbery (Steve Furst) arrives for an appointment and is kept waiting. What the appointment is for, we are not clear about but he is waiting for a yellow door to open. Nobody answers when he rings. He’s joined by th...

Theatre: Musical of Musicals

Tuesday night I caught The Musical of Musicals which is playing at the Sound Theatre (part of that Swiss Building where those hideous chiming things happen on the hour in Leicester Square). I understand that at some point the building will be demolished, which will be a victory for decent architecture. Having said all that, the theatre is not a bad space. Even better was this production.

If you like your musical theatre (and hey who doesn't as what's there not to like??) then this show offers the same story about a girl who can't pay the rent, in the five different styles: Rodgers and Hammerstein, Sondheim, Jerry Hermann, Andrew Lloyd Webber and Kander and Ebb.

The great thing about the show is even if the in-jokes sail over your head, the songs and the performances were good enough to stand on their own. While the Lloyd Webber segment managed to show how much the composer loves / copies / borrows from other composers, my favourite was the Kander and Ebb segment where everyone spoke in a foreign language and had dirty sex (a la Cabaret, Chicago, Kiss of the Spiderwoman).

Jerry Hermann's parody seemed particularly apt after seeing his show "Mack and Mabel"… Now there's a composer who writes for dopey showgirls in gooey gowns… It reinforced that making your cast look less glamorous by playing their own instruments is probably not a good idea in a Hermann show.

It finishes this week and deserves to have another run…

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