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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...

Scenes from the Tate Modern Friday 13:59


As part of a team building half-day away day I suggested that we try out the slides by Carsten Höller at the Tate Modern. Well actually, the away day was fashioned around the desire to go on these monster slides but never mind that...

I tried both slides in the foreground. Starting with the one on the top level I found it to be a bumpy ride that was only improved after yelling a four-letter expletive for the entire journey down. The lower one was more fun and I managed to even enjoy it a little... There was a shorter slide that I even managed to make "wheee" noises for... By that point I had become a slide pro...

The slides will be around until April next year. By then I may try the slide from level four that has you going at speeds of up to 30mph... But not today... Höller may be onto something when he suggests that slides should be incorporated into new buildings as an interesting way of getting about... It would be more reliable than the tube...

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