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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Theatre: The 39 Steps



Catching up with all the theatre I hadn't yet seen but should have, on Tuesday night I caught The 39 Steps, which is a sort of sillier version of the Hitchcock classic film from the 1930s. It has been playing for some time and possibly should continue for a while. There is a line at the beginning about the main character feeling bored so he thought he would go for some mindless entertainment in the West End... The jokes keep flying thick and fast as four actors play all the roles.

As a bit of a fan of the film, I wasn't quite sure whether I liked this story being treated this way, particularly since the laughs all came from the acting and staging rather than any clever scripting. In the end however I succumbed to the silliness... Adding to the intrigue (well at least for me anyway) was the gay couple to my right. The one next to me seemed to enjoy invading my personal space. Not doing anything to encourage or discourage this, fights for the armrest ensued all throughout the first act... By second act suspect partner caught on what was going on the seat over so there was none of that...

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