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Bit parts: Garry Starr Performs Everything @swkplay

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Garry Starr Performs Everything is a bare-bones (and bare buttocks) tribute to the theatre. Theatre may be in trouble, and audiences are down, but Garry Starr aims to save the theatre and bring back to the masses every style of theatre possible. As long as each style involves wearing a transparent white leotard or a skimpy thong. And tassels. It's part comedy, part physical comedy and part perv at Gary's physical prowess. The sentiment "if you've got it, flaunt it" applies here. So here we are with a show that has been around for some years and is having its first proper London run at the Southwark Playhouse (Borough) through Christmas. The premise is that Garry Starr (played by Damien Warren-Smith) has left the Royal Shakespeare Company over artistic differences. He is now on a mission to save the theatre from misrepresentation and worthy interpretations by doing things such as a two-minute Hamlet, recreating scenes from a Pinter play using unsuspecting audience

Theatre: Coram Boy



I overheard one woman leaving the theatre tonight complaining that she had just seen a three hour epic about infanticide and pedophilia. Well that was partly what Coram Boy is about. It is based on a bestselling (and award-winning) novel set in the eighteenth century.

It starts out telling the tale of a man who for a fee takes away unwanted babies and promises to take them the Foundling Hospital. It becomes quickly evident that he is working for his own profit. Soon little graves are found everywhere...

There begins an epic tale full of spectacle and the music of Handel. Even with a dark tale as this, there is a lot to enjoy over the three hours and it is not surprising both of its runs have been sellouts (and popular with young people).

The music of Handel (and additional music in the style of Handel) underscores the drama and it helps overlook some of the more convenient turns in the plot. In a way it was a shame that more music wasn't used.

What is particularly interesting is the backstory about the Foundling Hospital, its connection to Handel and the relevance a story about people trafficking has in modern London.

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