Featured Post

Death becomes her: A Brief List Of Everyone Who Died @finborough

Image
For a natural process, death is not a topic that comes up naturally for people. We ask how people are doing but expect the response to be “I’m great”, not “I’m not dead yet”. And so for the main character in A Brief List of Everyone Who Died, Graciela has a death issue. Starting with when she was five and found out only after the matter that her parents had her beloved dog euthanised. So Graciela decides that nobody she loves will die from then on. And so this piece becomes a fruitless attempt at how she spends her life trying to avoid death while it is all around her. It’s currently having its world premiere  at the Finborough Theatre . As the play title suggests, it is a brief list of life moments where death and life intervene for the main character, from the passing of relatives, cancer, suicides, accidents and the loss of parents. Playwright Jacob Marx Rice plots the critical moments of the lives of these characters through their passing or the passing of those around them. Howeve

Theatre: Rose and other adventures...

In the month it took to get my internet put up I did get up to the following:
  • Caught The Rose Tattoo with Zoe Wanamaker. Great play and well worth the £10 tix. It is great to see more Tennessee Williams plays in London and here is hoping that the fashion for reviving his work continues... It wasn't hard to resist doing ones best impersonation of Sicilian impersonator with colleague AW. It sort of goes, "Naw naw naw naw naw... Naht mah Rrrrose!" Perhaps it was the fine wine, but after the play AW and I photographed the grass on the theatre and groped a cast iron statue on Waterloo Bridge... It was a great night...
  • Saw Pelléas et Mélisande (translated: Pelléas and Mélisande) at the Royal Opera. I had been warned that the opera was boring so sat in the cheap seats but it turned out to be all rather exciting and dramatic. Sure it all ends in tears but what a way to go... The champagne at interval cost more than the ticket but it was all rather worth it... Particularly when Sir Simon Rattle was conducting...
  • Performed in London Gay Mens Chorus concerts in Edinburgh and Glasgow. It was music for bad boys that included Relax (don't do it) and the march and chorus from Carmen. I had a reading to do from Larry Kramer's lovely novel Faggots which went down like a treat too. Maybe it was in the intonation, my lovely dulcet tones, I just don't know. The choir will not be so much under the influence of Irn-Bru as well... I relied on it to get through the weekend concerts (particularly after arriving in Edinburgh having had not much sleep)...I won't be in the concert when it gets to London's Cadogan Hall in July but it is well worth booking for asap as it should sell out...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial security
Read more...

Ramin Karimloo: the unstoppable beast

Image
Iranian-Canadian musical theater actor Ramin Karimloo is known for his work in the West End, performing in The Phantom of the Opera and Les Misérables, as well as debuting the role of the Phantom in Andrew Lloyd Webber’s Phantom of the Opera sequel, Love Never Dies. Recently he finished a run playing Valjean in Les Miserables on Broadway and gained attention for not just his vocals but his physical strength. He is back in London and getting ready for a show (tonight) at the Palladium on 16 July. Later in the year he will be joining Victoria Hamilton-Barritt and Kerry Ellis in UK premiere of the off-Broadway musical Murder Ballad at the Arts Theatre. The Palladium show will be another opportunity to see Ramin and his band mix country and bluegrass with musical theatre (and vice-versa), after sellout shows at Islington’s Union Chapel in January. I sat down with Ramin shortly after his return to London. We talked about the shows, his fitness regime and how he is looking for a goo
Read more...