Dance: Alvin Ailey American Dance Theatre


Source: http://www.alvinailey.org

In a week with a head cold from hell (which meant no gym, a lot of rest, and no socialising), it was somewhat of a relief to get out and see Alvin Ailey American Dance Theatre at Sadlers Wells on Saturday night. Arriving at the theatre with the above artwork plastered all over the theatre (and most of Islington), I expected little was spent on the costume budget. But in a programme set to legendary jazz music, it turned out to not be the case. This was a bit of a relief as after a week of coughing and spluttering who needs to have somebody else's physical fitness rubbed in your face?

After the first interval I caught up with Fliss who was there with her posse. Fliss signed up to see the show on the strength of a viral video that was doing the rounds in the past month. I was there just for the artistic enrichment (plus I got a great seat at good price). Well that's my story and I'm sticking to it. Anyway I joined them the first interval onwards as a seat filler in the stalls. And while the view of the stage wasn't as good, the view of the stalls was much better and there were some pretty nice views there... Fliss and I also managed to bitch about some of the production team seating by who only vaguely managed to resemble their photos in the programme.

Anyway I digress... Setting dance to the music of Duke Ellington and others can only be a good thing and it was a great evening. I was even grooving along at various points. Afterwards I passed on a chance to dine with the posse in favour of more drinking and more jazz... It was probably not the best idea after a decongestant with pseudoephedrine (and may have explained the in-seat grooving) but what the hell. Regardless of what substances I was under the influence of, it still was a great night. They are in London until the end of this week before touring the rest of the UK. Definitely one to catch... And most of the seats at Sadlers Wells are pretty good...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House.

This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve...

Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here.

Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understand the…
Read more...

Swatting: The Flies @BunkerTheatreUK

Image
The Flies at The Bunker theatre is a chance for production company Exchange Theatre - which specialises in translating plays for English audiences - to return to the piece that put them on the map. With live music, video and eye-catching design, it’s an ambitious piece. But it seemed to miss any sense of drama. And it’s star actor Meena Rayann was off too.

Jean Paul Satre’s take on the Oresteia and the Electra myth, was written during the Nazi occupation of France. Fast forward seventy years, it's tempting to equate today’s new nationalists with yesterdays fascists. But it's a lazy comparison given the grand themes under exploration here. It feels more like an apparent dig at Nazi occupation, organised religion or group think over fake news, immigrant bashing and economic hardship.


It opens where two travellers approach Argos, a town where everyone is in mourning. One is Orestes in disguise. The city has become a dark place cursed with flies as punishment from the Gods since …
Read more...

Those magnificent men: Square Rounds @Finborough

Image
After watching Square Rounds it’s tempting to ponder did the toilet inspire some of the great discoveries of science. The toilet features prominently in this production. The invention of the modern toilet created the need for synthetic fertiliser. Which in turn led to the creation of the chemical weapons and explosives used to devastating effect in the First World War.And so goes Tony Harrison’s anti-war polemic about those who invented the great weapons of mass destruction. It’s having it’s first production in almost 30 years at the Finborough Theatre.The set is in blacks and whites. Just like the world of science.  But the clarity of science is lost in the fog of war as each great invention with a noble purpose also serves a more destructive one. It’s depicted by an all-female ensemble to underscore that at wartime it was the women manning the factories. Doing all the work. And mostly spoken in verse. It’s a fascinating and provocative piece. With songs, projections and magic tricks…
Read more...