David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
The story of the Sorcerer's Apprentice is updated to modern tastes in this funny and engaging new family musical. Here a father and his rebellious daughter discover their magic and save their town from a bunch of brooms while making a few observations about parenting, science and the environment. Filmed at the Southwark Playhouse in February, it's also a reminder about what we're still missing from live theatre. While it's great to see a new show streamed online, you also have to let your imagination remind you where there would be applause and laughter from this energetic and thoughtful production. Hopefully, we will get the chance to see this show live someday. Written by Richard Hough and Ben Morales Frost, the story takes place in a small northern town called Midgard. It's on the brink of environmental destruction due to the endless search for prosperity. Eva, played by Mary Moore (making her professional stage/streaming debut), is a school dropout. But she
Watching The Sugar House at the Finborough Theatre reminded me of the comment made by journalist Evan Whitton that Sydney was the most corrupt city in the world. Except, of course, after Newark, New Jersey and Brisbane Queensland. But corrupt cops and underworld figures of the Sydney scene are only part of this epic family story that spans three generations of a working-class Sydney family. It's currently playing at the Finborough Theatre. The story opens with Narelle (Jessica Zerlina Leafe) looking over a new conversion property on the former site of a sugar refinery in Sydney. It was near where she grew up. She's a lawyer now and could afford to buy one of these bland modern conversions. But all she can see are memories of the place where she grew up with her mother and grandparents. What unfolds next focuses on the harsher side of the lucky country. Where jobs were precarious and poverty, poor health and crime were not too far away. The police were a force to be feared.