Concert: Accentuate the Positive

Before the curtain rises (or rather the gauze) on what became a rather memorable show, a choir waits for its cue and a full house waits for the show to begin.

After nine weeks of rehearsals it was show time. But the concert felt less of a show and more of a gathering of family and friends. A gathering that just happened to take place at the Palladium, where Judy, Liza, Barbara, Frank, Rufus and Jason Donovan have previously performed... To name a few...

Throughout what turned out to be a long day with much waiting around, in our spare time one tried not to gawk too much at the Judy Garland memorials both front and backstage, nor did I linger too much around Connie Fisher's dressing room (although I was informed to see Sound of Music before she leaves as the replacements are rubbish). In every corner of the building there is a sense of history about the theatre, although when you get to the bar you tend to forget all that when you are being charged £7 for a G&T...

True Colours went down well and I avoided tripping over myself even with the last minute changes to the choreography to enable us to be heard. The green shirt I wore in the second act was a little bit more controversial with comments ranging from "Great shirt" to "What are you a leprechaun?" Well it takes all sorts I suppose...

photo source: www.luthor.net.nz

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House.

This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve...

Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here.

Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understand the…
Read more...

The other path: The Unbuilt City @kingsheadthtr

Image
Life love and legacy is at the heart of The Unbuilt City, Keith Bunin’s play having its European premiere at the King’s Head Theatre. And a lot of talk about sex with men over a bottle of bourbon. But all told it’s a delicate and contemplative two-hander marked by sensitive and warm performances.Set on a cold afternoon in February. Jonah (Jonathan Chambers) arrives at a townhouse in Brooklyn Heights. His mission is to persuade Claudia (Sandra Dickinson) to sell her secret art collection to a university archive. Particularly her documents relating to an architect and his unrealised plans for New York City.  But even if she can’t afford to heat her house and debts are mounting, she won’t part with her collection to anyone. She wants to know why Jonah is acting as a free agent. What are his passions, his regrets and his loves. Over the course of the piece each reveal a little about themselves and what things could have been. Bunin’s piece The Busy World Is Hushed was set against the backd…
Read more...

The Will Young show: Strictly Ballroom @TeamPiccadilly

Image
Love is in the air in Strictly Ballroom, currently playing at The Piccadilly Theatre. It’s the musical based on Baz Luhrmann’s 1992 movie about a boy daring to dance his own steps in the cut-throat world of amateur ballroom dancing. The movie was full of irony and light-heartedness with its corny follow your heart and ugly duckling storylines. Here the musicalisation hits this message over your head as if you’re watching the fall of communism.
Jonny Labey and Zizi Strallen in the lead roles as the unlikely dance couple give the show style and pizazz. He’s a rebel, she’s an ugly duckling. There is also a thrilling paso doble dance sequence to close the first act. They even get to sing two lines and sound terriffic. But the show is superfluously narrated by Will Young. He’s also the band leader singing all the songs. While this isn’t necessarily a bad idea, here it gives the impression you’re watching the Will Young musical. And often his light vocals are lost in the theatre. The decisi…
Read more...