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The male gaze: Turning the screw

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It's been a while since trips to the theatre. I've been busy. But it's nice to see that it's the creative process that is at the heart of Kevin Kelly's Turning the Screw. And what gives rise to it. It's a dramatisation of the creative process leading up to composer Benjamin Britten's premiere of his opera, The Turning of the Screw. With deadlines approaching, Britten seems stuck over melodies and unsure about completing the piece for its summer premiere. But the selection of twelve-year-old choirboy David Hemmings in the leading role of Miles within the opera is the spark that motivates him to complete the piece. And his presence may stir other feelings, too. It's currently playing at the Kings Head Theatre .  Britten's fascination with young boys has been the subject of a detailed book, Britten's Children. The book suggests that Britten saw himself as a young boy of 13. It's almost as if he saw himself as Peter Pan, albeit if Peter Pan was a

Movie: I'm Not There



Since Christmas it has been a chance to drink loads of champagne, sleep in and do very little. However before the holidays came to an end I did manage to catch the Bob Dylan movie I'm Not There. The film directed by Todd Haynes uses a number of actors to depict different periods of Dylan's life. Watching it and not knowing a great deal about Dylan's life except for that period where he went electric probably doesn't help, but it is a fascinating movie that probably gets better with repeated viewings. Cate Blanchett as Jude Quinn (electric / druggy Dylan) was particularly entertaining and who would have thought her hair was a perfect match for him at that period (even if it was not a wig)?

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