It isn't every time when you go to the theatre that there is a deathly silence at the end of the show... Only to be broken by somebody in the audience sighing and exclaiming, "Well... THAT was interesting..." But such was the case Sunday afternoon at the wake last performance of the musical All Bob's Women. The show opened Tuesday and posted closing notices the next day. Translated from an Italian show that apparently ran in Milan for months, it is billed as a sexy musical comedy. The problem with the show was that it was not sexy, not musical and it wasn't funny. But no point flogging a dead horse. The Evening Standard, The Stage and (most memorably) The Telegraph cover why it is a disaster. I was surprised by little things like:
The actors had been rehearsing this show for many weeks
Concert-like body mics and deafening sound to match it
Half a taxi-cab appearing on stage
Some weird woman in the audience who cackled every few minutes (I was half-expecting one of the actors would shout out, "Would you keep it down mum?")
Part of the story involves Bob (played by Samuel Oatley) dressing up as a woman to get to know the secret desires of the women he wants to bed. His drag act and clothes worn reminded me of Tom Hanks and Peter Scolari in Bosom Buddies, which may not have made it to Britain so I have included it above. The rest of the story didn't make much sense so I decided for my own entertainment value to fill in the gaps... Bob was a secret agent working for the enemy to corrupt England's slappers. He would find the most unattractive women and mess with their minds until they sang off-key before moving onto the next one. That worked for me.
Large portions of this play Samuel Oatley was parading around in pants. Which was not bad. After Julian Ovenden in his boxers on Friday, the gays in Clapham Saturday and Oatley in his briefs on Sunday it has been quite a pants weekend. I think that is something I can live with. As for the show... It lives on in Youtube thanks to West End Live (if you can put up with the poor camera work and overbearing sax).
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House.
This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve...
Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here.
Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understand the…
Brief encounters never seemed hotter in this latest revival of Joe DiPietro’s comedy-drama play, Fucking Men. In part due to the sexy cast and witty one liners but also because it is summer and pub theatres are hot at the best of times.
The work had its premiere in 2009 at the Kings Head and went on to have a long run and transfer to the West End. It is presented here as part of the It is running as part of the King’s Head Gay Theatre Festival.
Life love and legacy is at the heart of The Unbuilt City, Keith Bunin’s play having its European premiere at the King’s Head Theatre. And a lot of talk about sex with men over a bottle of bourbon. But all told it’s a delicate and contemplative two-hander marked by sensitive and warm performances.Set on a cold afternoon in February. Jonah (Jonathan Chambers) arrives at a townhouse in Brooklyn Heights. His mission is to persuade Claudia (Sandra Dickinson) to sell her secret art collection to a university archive. Particularly her documents relating to an architect and his unrealised plans for New York City. But even if she can’t afford to heat her house and debts are mounting, she won’t part with her collection to anyone. She wants to know why Jonah is acting as a free agent. What are his passions, his regrets and his loves. Over the course of the piece each reveal a little about themselves and what things could have been. Bunin’s piece The Busy World Is Hushed was set against the backd…
