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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Movies: Burn After Reading

Sunday evening I caught the Coen Brother's latest film Burn After Reading. For me it was a great film where cock-ups and sex rather than conspiracy drives the world. Some people leaving the Barbican afterwards were commenting that "it was just farce"... As if that should be a problem with the film... Well I guess these are serious times we are living in but they are also f***ed up enough as well to appreciate a laugh... Particularly when there is a potty mouthed John Malkovich on screen...

Frances McDormand's attempts to get automated voice recognition service of her health insurer to understand her voice reminded me of my attempts to pay my EDF energy bill. In the end I gave up speaking the commands to it and made up my own less than complimentary ones. I always enjoy the parallels with real life. Of course the film wasn't all the real deal... She worked in a gym where all the instructors were over 40... What gym would ever do that???

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