Theatre: In A Dark Dark House



I had been warned that In A Dark Dark House, currently playing at the Almeida Theatre is a disturbing sort of show. So I figured it was only fitting to be the final show for Adrian to see before he left the UK. I had been in a rehearsal all day and was a little exhausted after that, and Adrian was returning from a few days in Manchester, so something interesting and a little controversial by Neil LaBute was bound to keep us interested.

While we waiting for the show to start we could at least take in the fantastic production design. The Almeida always seem to create the most fantastic realistic looking gardens and grasses and this was no exception.

After a slow start, the play really started to unfold, somewhat sneakily, into another realm... Which also included a mini-golf course. This is a play about sexual abuse and two brothers reliving their unhappy childhood. But it was told from an interesting perspective and there are such terrific performances it is worth catching. All told was it disturbing? Well, only if you are disturbed by human behaviour...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Mostly harmless caper: Corpse! @parktheatre

Image
In times of national crisis, there is nothing like a good old fashioned comic murder-mystery to take your mind off social distancing and voluntary isolation. Or perhaps a silly murder-mystery. And even if the story is a bit suspect, Corpse! is mostly harmless fun and staged with a lot of panache and energy by Tom York. It's currently playing at the smaller space of the Park Theatre . Set against the backdrop of another national crisis, Edward VIII's abdication, Gerald Moon's Corpse! (complete with an exclamation point) was first seen in the early eighties. It is about two identical twins who despise each other. The oldest (by a few minutes) Evelyn, is poor and living in a squalid Soho flat. His acting career hasn't progressed much after being accused of poisoning cast members. He gets by shoplifting from Fortnum and Mason and promising favours to his lonely landlady. His younger brother Rupert is incredibly rich after inheriting the family fortune. Evelyn has dec
Read more...

Finishing the hat: Far Away @Donmarwarehouse

Image
Young Joan can't sleep. Was there a bump in the night? Or a scream? She is staying with her Aunt Harper, and she reassures her it's probably an owl. They seem to be in the English countryside. But with her aunt's responses becoming less and less convincing as she pauses and thinks about them, young Joan knows she has stumbled on something sinister about the world. And not just because aunty isn't a convincing liar or her armchair is filthy and worn. Thus begins the short descent into a dystopia where people are rounded up for inexplicable reasons, and you're never sure who is with you or against you. It’s currently playing at the Donmar Warehouse . It's a short descent as Caryl Churchill's piece runs only forty-five minutes. But in that time it's an unsettling enough to leave the audience nervously laughing. In the twenty years since its premiere, the fears of all controlling entities have only grown thanks to a vibrant network of social media, pseu
Read more...