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The moron premium live: The last days of Liz Truss @WhiteBearTheatr

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Watching a play about Liz Truss, Britain's shortest-serving Prime Minister, might seem as appealing as dental surgery. After all, you may be dealing with the repercussions of her fifty-day leadership, such as higher mortgage rates. You might also be familiar with the term "moron risk premium," coined by an economist to describe the impact of having Truss and Chancellor Kwasi Kwarteng in charge. Consequently, revisiting this time in 2022 may not seem like an enticing subject for a theatrical production. However, writer Greg Wilkinson’s unique portrayal of select aspects of Truss’s life, alongside a standout performance by Emma Wilkinson Wright, makes this a compelling work. While Wright doesn’t physically resemble Truss, she delivers a performance that captures her mannerisms, awkwardness, and platitudes. The play is currently at the White Bear Theatre . Presented as a monologue, Wright performs at a desk, on it, or even in a chair while singing karaoke—one of Truss's ...

Theatre: On The Waterfront



If there was too much sex on stage at the opera on Tuesday, there didn't seem enough of it on Wednesday in this engaging stage adaptation of On The Waterfront at the Theatre Royal Haymarket. There is a lot of excitement and dramatic tension in this tight production directed by Steven Berkoff... Assuming you overlook some unintentionally hilarious moments such as when the actors play pigeons (the effect is funnier than the scenes of singing birds in The Producers).

But with all that tension and bitterness, I thought perhaps a bit of roughing up of the actors could have helped. Well at least in the climatic fight scene, it would have been nice to see Simon Merells (who plays the Brando character), have some of his clothes ripped off... Alas it wasn't meant to be.

Still there is enough violence implied in this shadowy story of corruption and mob violence on the New Jersey docks in the 1950s. Berkhoff sees the story as relevant for any age. Whatever the case is, it is a great story well acted and presented.

My only question would be (assuming I wasn't going to ask about the pigeons), why was a silhouette of Abu Hamza at the back? The show runs until April and worth a look...

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