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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...

Theatre: La Clique



Saturday night I found myself at La Clique at the Hippodrome. It is a bit burlesque, a bit of acrobatics and a bit of theatre. While there is no thematic link and it isn't some creepy French-Canadian famtainment, this dirty and rough show is intriguing enough to not want to miss.

Alas the German acrobat in the bathtub is not with the show at present, but the other acts had equal novelty value. Although there was a bit of an edge to Saturday night's performance after the hula hoops woman managed to hit some girl in the front row in the mouth with a stray hoop. Tissues were passed along the row and it was obvious she had a cut lip. For the rest of the act everyone in the front row sat slightly terrified (and covering parts of their face). Hoops split and other hoops went flying so the fear was real... In the second half the front row were warned not to lean forward with the skating act... And they took note. They were very, very obedient. And again very terrified.

The second act also had a woman who managed to play a kazoo in a very unusual way as well. It was a marvellous exercise in breath control, albeit not exactly the most sophisticated act to have graced the West End. Still the audience enjoyed all this filth...

The show has had its run extended to June. There are various discounts to have and I would suggest standing (or at least avoiding the front row) would be most advisable...

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