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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Theatre: La Clique



Saturday night I found myself at La Clique at the Hippodrome. It is a bit burlesque, a bit of acrobatics and a bit of theatre. While there is no thematic link and it isn't some creepy French-Canadian famtainment, this dirty and rough show is intriguing enough to not want to miss.

Alas the German acrobat in the bathtub is not with the show at present, but the other acts had equal novelty value. Although there was a bit of an edge to Saturday night's performance after the hula hoops woman managed to hit some girl in the front row in the mouth with a stray hoop. Tissues were passed along the row and it was obvious she had a cut lip. For the rest of the act everyone in the front row sat slightly terrified (and covering parts of their face). Hoops split and other hoops went flying so the fear was real... In the second half the front row were warned not to lean forward with the skating act... And they took note. They were very, very obedient. And again very terrified.

The second act also had a woman who managed to play a kazoo in a very unusual way as well. It was a marvellous exercise in breath control, albeit not exactly the most sophisticated act to have graced the West End. Still the audience enjoyed all this filth...

The show has had its run extended to June. There are various discounts to have and I would suggest standing (or at least avoiding the front row) would be most advisable...

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