Theatre: La Clique



Saturday night I found myself at La Clique at the Hippodrome. It is a bit burlesque, a bit of acrobatics and a bit of theatre. While there is no thematic link and it isn't some creepy French-Canadian famtainment, this dirty and rough show is intriguing enough to not want to miss.

Alas the German acrobat in the bathtub is not with the show at present, but the other acts had equal novelty value. Although there was a bit of an edge to Saturday night's performance after the hula hoops woman managed to hit some girl in the front row in the mouth with a stray hoop. Tissues were passed along the row and it was obvious she had a cut lip. For the rest of the act everyone in the front row sat slightly terrified (and covering parts of their face). Hoops split and other hoops went flying so the fear was real... In the second half the front row were warned not to lean forward with the skating act... And they took note. They were very, very obedient. And again very terrified.

The second act also had a woman who managed to play a kazoo in a very unusual way as well. It was a marvellous exercise in breath control, albeit not exactly the most sophisticated act to have graced the West End. Still the audience enjoyed all this filth...

The show has had its run extended to June. There are various discounts to have and I would suggest standing (or at least avoiding the front row) would be most advisable...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House.

This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve...

Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here.

Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understand the…
Read more...

The other path: The Unbuilt City @kingsheadthtr

Image
Life love and legacy is at the heart of The Unbuilt City, Keith Bunin’s play having its European premiere at the King’s Head Theatre. And a lot of talk about sex with men over a bottle of bourbon. But all told it’s a delicate and contemplative two-hander marked by sensitive and warm performances.Set on a cold afternoon in February. Jonah (Jonathan Chambers) arrives at a townhouse in Brooklyn Heights. His mission is to persuade Claudia (Sandra Dickinson) to sell her secret art collection to a university archive. Particularly her documents relating to an architect and his unrealised plans for New York City.  But even if she can’t afford to heat her house and debts are mounting, she won’t part with her collection to anyone. She wants to know why Jonah is acting as a free agent. What are his passions, his regrets and his loves. Over the course of the piece each reveal a little about themselves and what things could have been. Bunin’s piece The Busy World Is Hushed was set against the backd…
Read more...

The Will Young show: Strictly Ballroom @TeamPiccadilly

Image
Love is in the air in Strictly Ballroom, currently playing at The Piccadilly Theatre. It’s the musical based on Baz Luhrmann’s 1992 movie about a boy daring to dance his own steps in the cut-throat world of amateur ballroom dancing. The movie was full of irony and light-heartedness with its corny follow your heart and ugly duckling storylines. Here the musicalisation hits this message over your head as if you’re watching the fall of communism.
Jonny Labey and Zizi Strallen in the lead roles as the unlikely dance couple give the show style and pizazz. He’s a rebel, she’s an ugly duckling. There is also a thrilling paso doble dance sequence to close the first act. They even get to sing two lines and sound terriffic. But the show is superfluously narrated by Will Young. He’s also the band leader singing all the songs. While this isn’t necessarily a bad idea, here it gives the impression you’re watching the Will Young musical. And often his light vocals are lost in the theatre. The decisi…
Read more...