Theatre: An Inspector Calls

It's January so it is Get Into London Theatre time... Which is a great way to see a play for a bargain that you might have been ambivalent about seeing previously. One such play I was ambivalent about was the revival of An Inspector Calls, directed by Stephen Daldry. Having now seen it, I still remain ambivalent. Sure I understand how important it must have felt when this production first came on the scene in 1992. Thatcherism was a very recent memory and was a critique of her legacy as much. However eighteen years on, times have certainly changed... And the play feels overproduced and overstaged. And (on the night I saw it...) over-acted...

There is nothing subtle about the JB Priestly's text, which is fine from a historical point of view, but this production decides to ram things home in big large letters, and a tiny little house... And if you aren't being deafened by the nightmare sequence score from Vertigo, you find yourself being moistened by the mist from the rain machine... For a drawing room drama, it all seems like overkill... Still it has proved popular and with Get Into London Theatre prices, it's cheap enough to enjoy being ambivalent. The play runs until March and GILT has been extended now until then too...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House.

This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve...

Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here.

Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understand the…
Read more...

More comings and goings: F*cking Men @KingsHeadThtr

Image
Brief encounters never seemed hotter in this latest revival of Joe DiPietro’s comedy-drama play, Fucking Men. In part due to the sexy cast and witty one liners but also because it is summer and pub theatres are hot at the best of times.

The work had its premiere in 2009 at the Kings Head and went on to have a long run and transfer to the West End. It is presented here as part of the It is running as part of the King’s Head Gay Theatre Festival.
Read more...

The other path: The Unbuilt City @kingsheadthtr

Image
Life love and legacy is at the heart of The Unbuilt City, Keith Bunin’s play having its European premiere at the King’s Head Theatre. And a lot of talk about sex with men over a bottle of bourbon. But all told it’s a delicate and contemplative two-hander marked by sensitive and warm performances.Set on a cold afternoon in February. Jonah (Jonathan Chambers) arrives at a townhouse in Brooklyn Heights. His mission is to persuade Claudia (Sandra Dickinson) to sell her secret art collection to a university archive. Particularly her documents relating to an architect and his unrealised plans for New York City.  But even if she can’t afford to heat her house and debts are mounting, she won’t part with her collection to anyone. She wants to know why Jonah is acting as a free agent. What are his passions, his regrets and his loves. Over the course of the piece each reveal a little about themselves and what things could have been. Bunin’s piece The Busy World Is Hushed was set against the backd…
Read more...