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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

Theatre: An Inspector Calls

It's January so it is Get Into London Theatre time... Which is a great way to see a play for a bargain that you might have been ambivalent about seeing previously. One such play I was ambivalent about was the revival of An Inspector Calls, directed by Stephen Daldry. Having now seen it, I still remain ambivalent. Sure I understand how important it must have felt when this production first came on the scene in 1992. Thatcherism was a very recent memory and was a critique of her legacy as much. However eighteen years on, times have certainly changed... And the play feels overproduced and overstaged. And (on the night I saw it...) over-acted...

There is nothing subtle about the JB Priestly's text, which is fine from a historical point of view, but this production decides to ram things home in big large letters, and a tiny little house... And if you aren't being deafened by the nightmare sequence score from Vertigo, you find yourself being moistened by the mist from the rain machine... For a drawing room drama, it all seems like overkill... Still it has proved popular and with Get Into London Theatre prices, it's cheap enough to enjoy being ambivalent. The play runs until March and GILT has been extended now until then too...

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