Movies: A Single Man



Some movies just linger in the mind a few days after seeing them. The none-too-subtle use of colour, period setting and innuendo in Tom Ford's A Single Man is one of these. Watching a movie set in 1962 in a the Chelsea Cinema, which has kept its retro 1973 interiors largely intact, also aided with the atmosphere. It's as if you could be part of the film, living in Colin Firth's lovely glass house thinking about topping yourself. Well who knew that suicide could be so stylish and sophisticated? It was hard to believe anybody in this film could be suffering in any way given they wore such lovely Tom Ford clothes and had such tight skin pores, but if you suspend disbelief about the story and go along for the lesson in style, it is a trip worth taking. Have made a mental note I need a facial though...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Nursing crisis: Persona @Riversidelondon

Image
There’s something reassuringly contemplative about Ingmar Bergman’s Persona. No matter what humdrum life you may be leading, at least you haven’t gone mute from too much acting. It’s not the only message to take away from this stage adaptation. Even when things seem lost in translation from screen to stage, the blurring of lines of the roles people play in life still resonates. It’s currently playing at the newly reopened Riverside Studios at Hammersmith. The piece centres around a famous stage actress Elizabet (Nobuhle Mngcwengi), who has stopped speaking and appears to have had some form of breakdown. As part of her recuperation, she travels with a nurse (Alice Krige) to a remote summer beach house. Alone with the waves and silence, they both are left to recover. Krige and Mngcwengi create an intimate and engaging portrayal of this ambiguous relationship between the actress and the nurse. Are the conversations real or imagined? Who is the patient and who is providing the trea
Read more...

Mostly harmless caper: Corpse! @parktheatre

Image
In times of national crisis, there is nothing like a good old fashioned comic murder-mystery to take your mind off social distancing and voluntary isolation. Or perhaps a silly murder-mystery. And even if the story is a bit suspect, Corpse! is mostly harmless fun and staged with a lot of panache and energy by Tom York. It's currently playing at the smaller space of the Park Theatre . Set against the backdrop of another national crisis, Edward VIII's abdication, Gerald Moon's Corpse! (complete with an exclamation point) was first seen in the early eighties. It is about two identical twins who despise each other. The oldest (by a few minutes) Evelyn, is poor and living in a squalid Soho flat. His acting career hasn't progressed much after being accused of poisoning cast members. He gets by shoplifting from Fortnum and Mason and promising favours to his lonely landlady. His younger brother Rupert is incredibly rich after inheriting the family fortune. Evelyn has dec
Read more...