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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Opera: Aida

The Royal Opera continues in its current trend to show flesh with its slightly naughty version of Aida. I caught up with it on opening night last week, and this new production looks great. And with plenty of partial nudity, it can be a little distracting. While it has been a controversial choice in staging, I thought it helped since I really don't care for Aida as an opera - a small story blown out into epic proportions that goes on forever. Still, conductor Nicola Luisotti also gets a great sound out of his orchestra and chorus (if perhaps not his soloists). His thoughts on the opera are captured in the latest podcast from the Royal Opera as well.

Opening night was also a charity fundraiser with HRH in attendance (wheeling in his wife), so the standard of dress was a little bit better than usual at Covent Garden as well... It runs until 16 May and worth catching.

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Opera and full frontal nudity: Rigoletto

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Fantasies: Afterglow @Swkplay

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Play ball: Damn Yankees @LandorTheatre

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