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Life upon the wicked stage: Already Perfect at Kings Head Theatre

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Performing two shows a day on a Broadway run sounds exhausting enough. But when you’ve just had a not-so-great matinee and are having a crisis of confidence, I would assume the last thing you’d want is to confront your past. Yet that’s the situation in Already Perfect, writer-performer Levi Kreis’s slightly autobiographical journey of confronting the past and his younger self. With a series of toe-tapping and emotional songs in a sleek production, you’re invited to experience someone else’s therapy session. And with a show title called Already Perfect, you know what kind of session this is going to be. It makes for a show where nothing is left unsaid, even if it is unnecessary,  unbelievable or best left on a greeting card. It’s currently playing at the King’s Head Theatre .  The story begins in his dressing room after a matinee, with Kreis alone. The show didn’t go so well. Struggling after being dumped by a lover, pressure mounting on the evening show being filmed for poster...

Theatre: Eurydice

Vox Pops Dr 3 F9 480p (16x9) from David Newell on Vimeo.


Eurydice takes greek mythology and gives it a twist focusing on the loss, memory and redemption in this production at the Young Vic. Maybe all this death and loos has been putting people off from seeing it as Saturday night's audience could have been larger. The play itself is not bad at all and full of mildly surreal scenarios with water that can leave a lot to your imagination.

The play opens with Eurydice and Orpheus about to go for a swim and then off to get married. Meanwhile her father is writing letters of advice to her for her wedding to her but she is not getting them. On her wedding night she leaves the party lured away by a man who says he has one of his letters... Soon she is in the underworld and Orpheus is trying to get in touch with her... One of the problems with this play is that there is no sense about how much Eurydice and Orpheus like each other... Sure they are practically naked with swimming goggles at the start, but you get the impression Orpheus is Mr Right Now rather than Mr Right. Eurydice seems ambivalent and Orpheus seems more interested in his music...

Still, the focus of this play seems more about memory and loss and the scenes in the underworld are great, including a young boy on a tricycle and three actors playing stones who manage to speak in unison throughout. And at 80 minutes long (with no interval) this was a whimsical enough diversion for the evening... Go for the meditation on memory... The relationships probably won't entice you as much... It runs until 5 June before touring and discounts are available (including through facebook)

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