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Still here: While They Were Waiting - Upstairs At The Gatehouse

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As the song goes, time heals everything. Or as another song says, it's time after time. Yet waiting—for a moment, a minute, or even a while—can feel like a chore. In Gary Wilmot’s slightly absurd and silly While They Were Waiting, the focus is on waiting and wordplay. No opportunity is missed to find more than one meaning in what is said. A debate arises about the difference between a smidge and a whisker. There's a playful riff on how you can be here and over there at the same time, depending on your standpoint. If this piece has a point at all, it depends on what you find funny. The concept of waiting-related language is, in itself, amusing, and there is plenty to laugh about in this show. It’s currently playing at Upstairs at the Gatehouse . The premise is simple: Mulbery (Steve Furst) arrives for an appointment and is kept waiting. What the appointment is for, we are not clear about but he is waiting for a yellow door to open. Nobody answers when he rings. He’s joined by th...

Cocksucker Theatre hour: The Habit of Art

Note: this post was updated in December 2022 in an attempt to comply with Google content guidelines - however if a phrase used in the play about cocksucking violates these guidelines it still may have a content advisory… 🤷‍♂️

I caught the penultimate performance with the original cast of The Habit of Art on Tuesday, Alan Bennett's latest play which has been running since late last year at the National Theatre (and been broadcast in cinemas around the world recently). It's had great reviews and been hard to get a ticket... Afterall, it is an Alan Bennett play so you know it is going to have some great dialogue and something about 🐓sucking in it. There will be a new cast returning in July and a tour, but this cast had a bit more star power with Richard Griffiths and Frances De La Tour...

Since the play does talk about devices, there is only one thing worse than plays within plays, which often seem to be a device to make a show that doesn't work slightly more palatable (Imagine This anyone)?... And that is plays about plays at the National Theatre.

Walking into the theatre and seeing the set made of a rehearsal room at the theatre is enough to make your heart sink as well. No chance of being transported anywhere with that...  But the play really has spark in the scenes between Richard Griffiths and Alex Jennings, as poet Auden and composer Britten. It was enough to forget the rehearsal room scenes (even if that was the source of some of the best gags of the evening) and go for the ride. The audience liked the show on Tuesday night, but I don't think anyone would say they loved it...

Tickets go on sale shortly for the summer run and tour... It is still a very civilised if somewhat slightly important night at the theatre...

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