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Still here: While They Were Waiting - Upstairs At The Gatehouse

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As the song goes, time heals everything. Or as another song says, it's time after time. Yet waiting—for a moment, a minute, or even a while—can feel like a chore. In Gary Wilmot’s slightly absurd and silly While They Were Waiting, the focus is on waiting and wordplay. No opportunity is missed to find more than one meaning in what is said. A debate arises about the difference between a smidge and a whisker. There's a playful riff on how you can be here and over there at the same time, depending on your standpoint. If this piece has a point at all, it depends on what you find funny. The concept of waiting-related language is, in itself, amusing, and there is plenty to laugh about in this show. It’s currently playing at Upstairs at the Gatehouse . The premise is simple: Mulbery (Steve Furst) arrives for an appointment and is kept waiting. What the appointment is for, we are not clear about but he is waiting for a yellow door to open. Nobody answers when he rings. He’s joined by th...

Plug: London Gay Men's Chorus does Seven Deadly Sins

It's less than a month away from when the London Gay Men's Chorus presents the Seven Deadly Sins at the Roundhouse. The show is a mix of classics, pop and show tunes, which is fair enough...

But even more interesting will be a segment in the show where a group of young fathers aged between 16-25 join with a small group from the chorus to create a version of John Lennon's 'Jealous Guy', fusing pop and rap. The fathers and members of the Chorus are being tutored by Rodney P, 'the Godfather of British rap' along with musical director Simon Sharp from London Gay Men's Chorus.

This will be the first time the chorus performs a show at the Roundhouse. A year or so ago we rehearsed there and made some weird yelping noises so the Roundhouse could get a sense of the acoustic for choirs (or the acoustic for gay men). Anyway it is a great venue and I'll be blogging more about the fun and hard work of it all this month...

Tickets are on sale now through the Roundhouse and the show will be raising funds for the Albert Kennedy Trust, which supports lesbian, gay, lesbian and trans and bisexual young people.

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