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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Music: Maria Friedman singing Sondheim...

After taking a break from the cultural life of London during July, last Friday I found myself watching Maria Friedman singing Sondheim. The last time I saw her it was a bit of a mixed bag, and the person next to me fell asleep. This time around she seemed a lot better and nobody was asleep. Maria may not be the best singer around, but her voice is suited well to Sondheim's music, which after listening to for an entire evening, you realise is not necessarily always music... Maria was able to convey the right amount emotion, whether it was humour, anguish or tears and for a Sondheim song that's often more important than hitting the right notes...

The programming choice was a little odd at times. I don't recall ever seeing a recital opening where the singer walks out cloaked in black as if she is channelling Michelle Pfeiffer in Ladyhawke. She then proceeds to sing a series of songs from the obsessive compulsive musical Passion, which out of context was a bit of a downer. Fortunately the cloak did not stay on for long and she took it off and let things rip with songs from Evening Primrose to Into the Woods. By the time she ended the first act with the song Broadway Baby from Follies the audience of mostly old queens were screaming.

Still, an evening of Sondheim can be pretty tough going. Particularly when the choice of songs were more torture torch songs than light-hearted fare. I could have done with some more laughs, particularly as I have a few more Sondheim shows ahead of me in the coming weeks... I could end up losing my mind...

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Opera and full frontal nudity: Rigoletto

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Fantasies: Afterglow @Swkplay

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Play ball: Damn Yankees @LandorTheatre

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Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
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