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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Theatre: A Clockwork Orange

The London riots come to mind when thinking about A Clockwork Orange, which has been "re-imagined" at the Theatre Royal Stratford East. While it is not the entire focus of the story, the lawlessness and the violence that features in this story evokes the memories of August when fear and panic gripped the city. A Clockwork Orange serves to remind us that perhaps this is not a new problem for this part of the world...

This re-imagining and musicalisation of the story does take a different approach to the book by Anthony Burgess. But taking it on its own merits rather than a faithful adaptation it makes for a engaging and entertaining evening out.

There is no classical music in this version of the story. Instead we have some thrilling music by Fred Carl that appears to be inspired by jazz, hip hop and perhaps AfroReggae. For the most part this propels the story forward and gives the performances the opportunity to deliver some emotionally charged songs.

Holding the show together is a terrific performance by Ashley Hunter. A lot of this show rests on his performance and he holds your attention as the violent delinquent Alex. One to watch.

Under the glow from the newly-opened Westfield Stratford City (and a small fire from a bin alight from a stray cigarette) @johnnyfoxlondon and I recorded the following Audioboo during the interval... Worth a trip out east to catch... And perhaps even to take a peek at the new mega mall as well... Although maybe you should check out his Londonist review before making that decision... And mind the glass ceilings...

Burning boo: half way through A Clockwork Orange (mp3)

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