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The moron premium live: The last days of Liz Truss @WhiteBearTheatr

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Watching a play about Liz Truss, Britain's shortest-serving Prime Minister, might seem as appealing as dental surgery. After all, you may be dealing with the repercussions of her fifty-day leadership, such as higher mortgage rates. You might also be familiar with the term "moron risk premium," coined by an economist to describe the impact of having Truss and Chancellor Kwasi Kwarteng in charge. Consequently, revisiting this time in 2022 may not seem like an enticing subject for a theatrical production. However, writer Greg Wilkinson’s unique portrayal of select aspects of Truss’s life, alongside a standout performance by Emma Wilkinson Wright, makes this a compelling work. While Wright doesn’t physically resemble Truss, she delivers a performance that captures her mannerisms, awkwardness, and platitudes. The play is currently at the White Bear Theatre . Presented as a monologue, Wright performs at a desk, on it, or even in a chair while singing karaoke—one of Truss's ...

On the radio: Radio Times The Musical


The Radio Times The Musical is in Richmond this week and it is a funny and entertaining enough show. It is set during the Blitz in London as a BBC light entertainment show prepare to undertake a special broadcast that will be heard in America. It is an opportunity to breathe life back into composer Noel Gay's music, who also wrote the songs for the show Me and My Girl. With Gay's songs, a story evolves full of bad jokes, gags and silliness as the star of the show Sammy Shaw, tries to hang on to his leading lady, a new producer fights with the writers for a show that isn't full of smutty innuendo and the need for a show to go out that will lift morale.

This production originated at the Watermill Theatre and follows their usual style where the performers act, dance and play the music. In a show with such brassy and lively numbers it looks great as the cast integrate dancing, music-making and performing so effortlessly. The effect gives things a real buzz. Gary Wilmot in the lead as Sammy manages to get away with the hoariest of jokes and still get laughs from the audience... It could be also that Richmond Theatre audiences are easy, but he gets away with it anyway. Sara Crowe, who replaces Anna Jayne Casey who played the leading lady earlier in the run productions did not appear to be as at ease in her role as the girlfriend waiting to get married. The role does primarily involve being serious while silliness abounds, but it is a key role and balance between the comedy and drama felt alternatively jarring or dragging at times.

There are enough songs and enough material to potentially fill two shows here but the production is slick and it looks great too. It is a musical that is going to give you two hours of laughs and you may even feel compelled to treat it as a singalong if you know the music... Of course the songs were written before the Second World War so that may give away your age... It runs until the end of this week and the remaining tour dates are on the website.

The views of the ageing (and Johnyfoxlondon) follow on the Audioboo...

listen to ‘Radio Boo Boo: Radio Times’ on Audioboo

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