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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Brief flames and passion: Nabucco at the Royal Opera

Liudmyla Monastyrska as Abigaille in Nabucco © ROH / Catherine Ashmore 2013
The Royal Opera's new production of Nabucco has received some mixed reviews - particularly with the sandpit staging - but catching the final night where Leo Nucci was playing the title role, it was clear that fine music making and some extraordinary singing will keep you on the edge of your seat.

The production has updated the period to the twentieth century but for the most part this does not get in the way of the story, or more importantly the singing.

My side view of the production (which restricted seeing the rear projections that "comment on the action") probably helped as it looked like it was pretty busy back there at times to the point of distraction. But it was hard to deny the beauty and power of some of the set pieces, including where Liudmyla Monastyrska as Abigaille sings lit only by flames (pictured above, photo credit Catherine Ashmore).


If you can't get tickets (particularly now since Plácido Domingo has taken over the title role the remaining dates seem to be sold out), it is going to be broadcast in cinemas on April 29 as part of the Royal Opera House Cinema series.


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