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Still here: While They Were Waiting - Upstairs At The Gatehouse

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As the song goes, time heals everything. Or as another song says, it's time after time. Yet waiting—for a moment, a minute, or even a while—can feel like a chore. In Gary Wilmot’s slightly absurd and silly While They Were Waiting, the focus is on waiting and wordplay. No opportunity is missed to find more than one meaning in what is said. A debate arises about the difference between a smidge and a whisker. There's a playful riff on how you can be here and over there at the same time, depending on your standpoint. If this piece has a point at all, it depends on what you find funny. The concept of waiting-related language is, in itself, amusing, and there is plenty to laugh about in this show. It’s currently playing at Upstairs at the Gatehouse . The premise is simple: Mulbery (Steve Furst) arrives for an appointment and is kept waiting. What the appointment is for, we are not clear about but he is waiting for a yellow door to open. Nobody answers when he rings. He’s joined by th...

Last chance legends: A Chorus Line

Prior to it completing its run next weekend I finally caught A Chorus Line at the Palladium. It's a simple and slick fly on the wall show about dancers wondering if this is their last shot on stage as they progress from auditions to the opening night. It is hard not to like a show with such heart and thrilling performances.

The cast are pretty good and the production is rarely dull, with its classic Broadway songs and classic theatrical set pieces. It is hard not to like Scarlett Strallen (one of the omnipresent Strallens and pictured opposite) dance and high kick her way through the Music and The Mirror as she desperately wants a job. Or see Olivier award-winning Leigh Zimmerman as Sheila, the very late twenty-something dancer who is wondering how long her run will last...

At times it is exhausting to watch the cast as they are on stage for nearly two hours (without an interval). And if it looks like hard work, that is probably because it is.


A Chorus Line won nine Tony Awards and the Pulitzer Prize for Drama when it opened on Broadway in 1975 and went on to become the then longest running musical on Broadway. It features some of musical theatre’s best known songs: One (Singular Sensation), What I Did For Love, I Can Do That, Hello Twelve, Hello Thirteen, Hello Love and Hope I Get It.

It is now a period piece rather than a contemporary piece of work. But all the elements combine to transport you back to Broadway in 1975 (although perhaps back then the music wasn't so amplified and there was less reliance on body microphones that did not always work). Maybe its closing suggests people are less clear about the relevance of this work today, but even if the world of theatre has changed, at its heart is a story about life that is personal and insightful which is hard to find elsewhere in a commercial musical nowadays.

This revival closes next weekend and well worth looking for last minute discounts if you have not had a chance to see it. The last week in August is a good time to get great seats for shows at bargain prices.

European touring plans for the production are to be finalised but are expected to include Germany, Holland and France, prior to a UK tour beginning in Autumn 2014. There are rumours that there will be a new recording of the show featuring this cast and songs cut from the show as well.



Photo credit: Production photo by Manuel Harlan.

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