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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...

Legal horse play: Same Deep Water As Me

Nick Payne's latest play at the Donmar, Same Deep Water As Me looks at the world of personal injury lawyers and the people who make false claims for accidents. It seems to be an attempt at farce but mostly comes off as a muddled soap opera that alternatively tries to be funny and make some serious points about sacrifices in the modern economy. None of it really works even though the cast are excellent and try their hardest to make sense of the material.

In the first half we are introduced to Andrew (Daniel Mays) and Barry (Nigel Lindsay). They are two struggling 'no win no fee' lawyers in Luton and business is a bit slow. Then Kevin (Marc Wooton), who is an old school friend of Andrew's, appears with a story about a crash with a Tesco delivery van. I could explain more but the problem with this piece is that by the time the set up is made the audience know what is going to happen. The comedy is mostly derived from attempts to make jokes from class differences and coarse language. But the best laughs come from the situations such as when Kevin's heavily pregnant wife has to take the stand at Luton County Court and promptly throws up.


Some people loved this show, including a few critics, but I felt the show was really only funny if you liked watching working class characters swear and say dumb things. There was one woman in the audience who was laughing so much at the piece she was like a one-woman laugh track for the performance. Judging by the faces of the people around her we could only wonder what she had for dinner and wished it could have been something similar...

Of course being a Donmar show there are some very appealing elements of the piece. The set is a fantastic recreation of grim office right down to the claustrophobic false ceilings and battered desks. There is also a wonderful joke that is told without ever giving the punchline. But at two hours this play is too slow to get moving and has about three endings without offering much insight into any of the characters. It was notable that some people left at intermission. They were sitting near the crazy laughing woman in the audience so that may have been a factor but the piece might have been better if it were shorter and a little less dramatically obvious.

The Same Deep Water As Me runs at the Donmar until the end of the week.

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