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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Art and other urges: The Shape of Things @arcolatheatre

The Shape of Things, currently playing at the Arcola Theatre in Dalston is a smart and good looking production that captures the banality and earnestness of Neil Labute's high concept play of young love in a university town. Ten years on from its first presentation at the Almeida, it still is an interesting observation on people and relationships and art.

Or perhaps. The lady seated next to me who was an art historian was not particularly impressed by the analysis of art. She found Labute was getting things wrong. But coming out of the the theatre, my partner commented, "That's just how people act in my hometown." The mind started to boggle about the games people in his hometown play, but he thankfully clarified he mean that people once they get into relationships change and cut people out of their lives.

And this is what makes the piece fascinating. Its observations of the four characters and their interrelationships as they talk about love, sex and art. They are not monsters or caricatures but presented as young people making decisions that may turn out to have much bigger consequences.
The central premise of the play is about art student Evelyn meeting geeky Adam. After a few dates over a short period she starts encouraging him to change. He starts working out, dressing a bit smarter and taking better care of himself. But things start to become a little odd and complicated as his friends note that the changes are not necessarily for the better. For anyone that has not seen previous productions of the play or the movie it is tough not to go into further details about the play, but the piece remains intriguing and amusing throughout.

Anna Bamberger as Evelyn manages to deliver a compelling and sympathetic performance, dominating proceedings whenever she is on stage. Apart from being in incredibly big heels throughout the performance (which looked very painful), it seems like a difficult character to portray as Labute makes her ignorant yet she also needs to be resourceful and intelligent.

Sean McConaghy as Adam also manages to get the balance between being shy and nerdy and transforming into a more confident man under Evelyn's guidance. Séan Browne as Philip, Adam's more outgoing yet small-town minded friend, and Harrie Hayes as the mousy Jenny, Philips fiancee and former love interest of Adam's round out this great cast.

It is a smart looking production with a simple set that changes from scene to scene. Whether you have seen this show before or not, it is worth taking your partner (or someone you have an interest in) to see it to debate the merits of it. It runs at the Arcola until 21 December. 





Photo credits: production photos by Maximilien Spielbichler

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