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Somewhere that's green: Potty the Plant at Wiltons Music Hall

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"I'm Potty the Plant," sings a potted plant in this odd little fringe concept of a show. It's hard not to get the tune out of your head, even if the show is brief. It's an earworm for a show that features a worm-like plant as a puppet. And given the show's brevity, running at only an hour, it's hard to get too annoyed by a lack of a coherent story, even if it still seems like the show could use a bit more development (which is underway). It has made its London debut at Wilton's Music Hall. The premise is that Potty, the plant, lives in the hospital office of Dr Acula (geddit?) and dreams of a life with the cleaning lady Miss Lacey (Lucy Appleton). But Dr Acula might be responsible for why all these children are disappearing while trying to romance Miss Lacey for her family's money that she doesn't have. Three nurses are on the case, trying to solve the mystery.  If the show settled on a convincing plot, location and set of characters, it could ...

Art: Sara Shamma's Q and Mother and Child

Syrian-born Sara Shamma's Q at the Royal College of Art is an opportunity to see her work of 10 individual paintings that put together make up a frieze of 16.5 metres that explores the subject of herd mentality and that popular British pastime of queuing.

But it is not queuing for the trivial or inane (which is popular in London) but when queuing could be a matter of life or death. Shamma is attempting to capture the change in mentality and behaviour that people at war and under threat experience. Moving from one end of the frieze to the other, images pop out against the flat background using a variety of different techniques to great dramatic effect. Beauty gives way to weariness and death. The lines of people queuing evoke dehumanisation and desperation.

Syria is constantly in the news but here the atrocities are second to the dehumanising impact of war. Shamma recently fled Damascus due to the conflict, leaving behind her home and studio and now lives and works in Lebanon. This is her first solo exhibition in London.

Presented alongside Q is Shamma's Mother & Child. Where Q focuses on how group behaviour affects our existence, this picture where a giant baby gazes down on the viewer with piercing intensity highlights the power and strength of family bonds.

This brief and evocative exhibition finishes tomorrow, Monday 2 December, and is worth a look. Sara Shamma's exhibition is at the Upper Gulbenkiam Gallery, Royal College of Art, Kensington Gore, London SW7 2EU from 10am - 6pm. Admission is free.

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