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Bear with me: Stitches @TheHopeTheatre

What if your teddy bear could talk? My ten-year-old self would think that to be excellent. My more recent self would think it was a high-concept buddy movie with Mark Wahlberg. But in Stictches, Jonathan Blakeley's monologue, which he has written and performed, traces the life of his beloved Chloe, from when she was first given to him by her grandmother, wrapped with a red ribbon. It becomes a story not just about a cute bear (or maybe that should be rough, shaggy-looking bear given the performer’s appearance) observing life but an exploration of life and all of its stages. It's currently playing at the Hope Theatre .  The bear is not warm and fuzzy; he is a bit of a character and tough-talking, but also a bit anxious about being accepted and then discarded as nothing. But he is there to bear witness as she navigates the complicated facets of growing up and having a life. Ultimately, the bear has to deal with being consigned to a box with her other memories until circumstances

Triumph of the barihunks and projectionists: Don Giovanni @RoyalOpera

Opening night of the Royal Opera's new production of Don Giovanni shows that with the right cast and a few modern elements you can deliver a dazzling and memorable production that is sexy, funny and musically memorable.

Original barihunk, Mariusz Kwiecień plays Don Giovanni. He looks the part and is charismatic enough to almost made you forget that he sounded a little tentative in the early part of the evening. His final damnation in this production appears to be that he is left alone rather than dragged down to hell to be left alone to contemplate hell and his hunky self.

Alex Esposito as Leporello delivers a musically comic performance as his servant and chronicler of his exploits, making a memorably sleazy rendition of "Madamina, il catalogo è questo". The comic timing between him and Kwiecień also give this production some of its lightness.

And the ladies were equally strong and appealing as well. Malin Byström as Donna Anna makes the music seem so easy and so rounded. Véronique Gens as Donna Elvira who takes pity on the Don in her aria "Mi tradi" was another vocal highlight of the evening (if you weren't distracted too much by the giant ravens... At one point I thought the action was being transplanted to Bodega Bay).

Much talk about the production will focus around the projections, which probably are the most extensively used for any production at the Royal Opera. As the overture commences, the names of Don Giovanni's conquests from Leporello's journal are projected over Es Devlin's set and multiply until they are unreadable eliciting laughs from the audience.

This is just a taste of the dazzling array of video projections by Luke Halls that dominate the proceedings and take on such a life of their own they could be confused for another performer.

It was not to everyone's taste and their were audible boos from the amphitheatre but for the most part this mix of old and new styles was incredibly effective.

Great music and singing and a stylish production, this run has sold out but day seats are available and there will be a live screening in cinemas later this month...

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