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Travelin' Through: Broken Toys @CervantesTheatr

Things are a bit different at the Cervantes Theatre when you see Broken Toys. You enter through the upstairs dressing rooms and go down to the theatre. It is a circuitous route, much like the story of Marion. You end up in the same place but have taken a different journey. And like what the old prostitute said. It's not the work but the stairs. And there before you is the theatre, but not entirely as I recall it. It feels like an intimate cabaret venue with tables and a shiny stage. And there we are introduced to Marion. Marion grew up in a small town during the Franco regime. A place where looking a bit different could make you the subject of gossip and a threat to your life. And despite being assigned male at birth and the attempts of family and father figures, she was an outsider in her town.  And so Marion sets off on a journey to the city. And in the shadows, she finds a place to hide. But with guidance from drag performer Dorian Delacroix begins to find her voice. Her journe

Triumph of the barihunks and projectionists: Don Giovanni @RoyalOpera

Opening night of the Royal Opera's new production of Don Giovanni shows that with the right cast and a few modern elements you can deliver a dazzling and memorable production that is sexy, funny and musically memorable.

Original barihunk, Mariusz Kwiecień plays Don Giovanni. He looks the part and is charismatic enough to almost made you forget that he sounded a little tentative in the early part of the evening. His final damnation in this production appears to be that he is left alone rather than dragged down to hell to be left alone to contemplate hell and his hunky self.

Alex Esposito as Leporello delivers a musically comic performance as his servant and chronicler of his exploits, making a memorably sleazy rendition of "Madamina, il catalogo è questo". The comic timing between him and Kwiecień also give this production some of its lightness.

And the ladies were equally strong and appealing as well. Malin Byström as Donna Anna makes the music seem so easy and so rounded. Véronique Gens as Donna Elvira who takes pity on the Don in her aria "Mi tradi" was another vocal highlight of the evening (if you weren't distracted too much by the giant ravens... At one point I thought the action was being transplanted to Bodega Bay).

Much talk about the production will focus around the projections, which probably are the most extensively used for any production at the Royal Opera. As the overture commences, the names of Don Giovanni's conquests from Leporello's journal are projected over Es Devlin's set and multiply until they are unreadable eliciting laughs from the audience.

This is just a taste of the dazzling array of video projections by Luke Halls that dominate the proceedings and take on such a life of their own they could be confused for another performer.

It was not to everyone's taste and their were audible boos from the amphitheatre but for the most part this mix of old and new styles was incredibly effective.

Great music and singing and a stylish production, this run has sold out but day seats are available and there will be a live screening in cinemas later this month...

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