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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Boom and bust: Eldorado @arcolatheatre

Property deals, war, angst and a healthy dose of absurdism mark Eldorado, the stylish new production currently playing at the Arcola Theatre in Dalston.

It is beautiful to look at and so well staged that you might feel inclined to seek out investment opportunities in Iraq afterwards, even if it has your recalling the worst excesses of the Iraq war.

The play opens with a description of a post-apocalyptic description of a war-torn land, that is open for a "unique investment opportunity".

We are then introduced to Anton (pictured). He has it made. He has a wonderful house, a wife who is a talented pianist and they are expecting a baby.
But all is not quite what it seems. As news of civil unrest grows and bombings increase, he finds himself out of a job. His wife, after a disastrous concert at a community centre, slams the piano lid on her hands. And a property deal that he has signed with his mother-in-law, seems to be not the sure things he convinced her it was. Soon he is hearing voices and noises and hiding on top of wardrobes so people can't find him.

The piece by by Marius Von Mayenburg (and translated by Maja Zade), is having its UK premiere here. It is a wonderful opportunity to explore the gulf between aspiration and reality, with some sharply observed scenes as the characters are pushed beyond their coping points among the insurgencies and fine dining.

It is also well acted by the ensemble. Michael Colgan as the confused and increasingly delusional Anton holds the piece together with his borderline sane performance.

Meanwhile Sian Thomas as Greta (pictured opposite with her young toy boy played by Nicholas Bishop), the somewhat practical mother-in-law gets many of the best lines, and as @johnnyfoxlondon notes in the Audioboo below, the best frocks.

This is the first production from Mongrel Thumb, which aims to bring to London audiences new and unusual works. They have succeeded here and looking forward to their future endeavours. First impressions follow, but this is a piece that lingers in your mind long after you have left the theatre...

Eldorado runs at the Arcola Theatre until 3 May. Tickets can be booked direct from the theatre website. The Arcola also runs "pay what you can Tuesdays".

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listen to ‘Apocaboo: Eldorado’ on Audioboo



UK Premiere of Eldorado by Marius von Mayenburg - Official Trailer from Mongrel Thumb on Vimeo.

Photo credit: production photos by Mongrel Thumb

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