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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Looking back at islands in the stream: San Domino

San Domino, a new musical inspired by a BBC news story about Mussolini's persecution of homosexuals by sending them to an island paradise, concluded a short run as part of Arcola's Grimeborn series celebrating new opera this summer.

What could have been a fascinating and almost comic story about the stupidity of the fascist regime - sending a group of men to an island where there are only other gay men - is told a little too earnestly and drearily in its current form.


It is a pity as there is no doubt a terrific story lurking there about men who were removed from their communities to an island paradise, at a time when being gay was not even recognised in Italy and relationships were different than they are today. It would be difficult to call the piece an opera, and while the music is at times clever and interesting, it does not assist in setting the scene or capturing the period or the place.

Here is hoping the piece can be reworked as it has potential. The Grimeborn series continues through to early September at the Arcola.

Below is clip from the initial workshop at The Courtyard Theatre.


 Photo credit: Charlotte Hopkins

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