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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...

It's a wonderful life: The Me Plays @ORLTheatre

Growing up in Wembley seems like fun in Andrew Maddock's The Me Plays, currently showing at The Old Red Lion Theatre. 

Two forty-five minute monologues delivered by Maddock present a semi-autobiographical look at his life growing up there.

Male body image, internet pornography, Catholic schools, surgical procedures are all covered in this brutally honest account. The cleverness in the work is its frankness and his matter of fact delivery, which makes for a fascinating evening that will linger with you after leaving the show.

The first piece, Junkie, looks at how the internet and the bombardment with constant information and potential suitors has transformed the dating game. It helps if you are familiar with the mobile application Tinder (nowadays dates are not arranged on a computer that would be so old fashioned) and how connections are based on mutual likes. But the piece shows how fleeting and superficial the modern dating world can be, the efforts taken to hook up that can be abandoned on a whim. 

His second and darker piece, Hi Life, I Win, sees Maddock waiting on the results of biopsy and looking back on his teenage years, and how events can change your life. It is a unique perspective on universal themes of loneliness, isolation and fears in a smart looking production that deserves to be seen.

Maddock’s training and previous work has been with the Playing Up programme - which gives young people who are not in education, employment or training a chance to take part in the National Youth Theatre. The entire run of performances will also offer £6 tickets to selected groups in the Brent and Islington area working with young people who are not in education, work or training.

It runs through until September 20.

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