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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Variations on a theme: Miss Havisham's Expectations / Sikes & Nancy

Dickens With A Difference at Trafalgar Studios presents two monologues by characters from the stories of Charles Dickens and deconstructs and tells the stories from a character's perspective.

It helps to be familiar not just with the plot of both stories but also the written words that shape them, and knowing that Dickens loved to do readings of his stories as performances. Both pieces evoke these performances.
Miss Havisham's Expectations presents Linda Marlowe in the role. This piece takes the plot and text from the book, but also from the life of Dickens and the events that may have influenced him at the time. Written and directed by Di Sherlock, it is part character study, part critique and part conjuring act.

Marlowe is quite interesting to watch and you never quite know what to expect as she moves from critique, to character study to magic tricks.

There is method in the madness if you stick with it and there are some great moments. It is most interesting when it is a critique of the character and perhaps could be expanded more in the future. I could imagine an entire evening with Miss Havisham rather than just an hour monologue at some point in the future.

The second piece, Sikes and Nancy is an astonishing adaptation written and performed by James Swanton.

Using his body and movement (it helps he is a fairly tall man), he morphs into the various characters changing voice from a velvety deep bass-baritone to a gollum-like high-pitched Fagin.

Naturally as the readings capture the murder of Nancy by Sikes, things do get pretty bloody and intense, but it is a gripping and physically intense performance. You find yourself captivated by Swanton as he throws himself about the stage.

The pieces are presented individually but there is a discount to see both. Both pieces run through to January and perhaps an alternative to the usual Christmas Dickens fare... Particularly if you like your stories dark and malevolent.

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Photos: Miss Havisham Steve Ullathorne, Sikes & Nancy Edward Quekett

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