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Death becomes her: A Brief List Of Everyone Who Died @finborough

For a natural process, death is not a topic that comes up naturally for people. We ask how people are doing but expect the response to be “I’m great”, not “I’m not dead yet”. And so for the main character in A Brief List of Everyone Who Died, Graciela has a death issue. Starting with when she was five and found out only after the matter that her parents had her beloved dog euthanised. So Graciela decides that nobody she loves will die from then on. And so this piece becomes a fruitless attempt at how she spends her life trying to avoid death while it is all around her. It’s currently having its world premiere  at the Finborough Theatre . As the play title suggests, it is a brief list of life moments where death and life intervene for the main character, from the passing of relatives, cancer, suicides, accidents and the loss of parents. Playwright Jacob Marx Rice plots the critical moments of the lives of these characters through their passing or the passing of those around them. Howeve

Sassy and sexy: Anything Goes @NewWimbTheatre and everywhere @AnythingGoesUK_

Going on a cruise seems like an awful lot of fun if this high spirited production of Anything Goes is anything to go by.

The cast sing and dance their hearts out in Cole Porter's classic musical. There is so much to take in with the fast footed choreography, wonderful performances and imaginative staging.
Leading the cast is Debbie Kurup as Reno Sweeney. It is hard not to be a member of her fan club after seeing her in this show. The character of Reno is a pretty sassy kind of broad being a nightclub singer, but here Kurup gives her a full characterisation. She has a terrific voice, a wonderful sense of comic timing and just a little bit of vulnerability. She leads an ensemble of terrific dancers and the two main dance numbers Anything Goes and Blow Gabriel Blow are nothing short of spectacular. Not to mention incredible feats of endurance.

There are so many strong performances in this production that every song and every scene seems to be a winner. Hugh Sach's as the b-list gangster Moonface shows that he doesn't just have comic timing but can also sing a great tune (albeit hilariously). Stephen Matthews as the uptight Lord Evelyn Oakley stops the show with his comic gypsy turn in the second half, performing in socks with suspenders. Alex Young as the flirtatious Erma also gives a nuanced, sweet but slightly naughty fresh take on Buddie Beware, which usually tends to be performed much more broadly. And Matt Rawle is always lovely as the song and dance man Billy.

As for the story, well when when Billy Crocker discovers that his heart’s desire, debutante heiress Hope Harcourt is engaged to an English aristocrat, he stows away aboard the S.S. American to win her back. That's all you really need to know. Throw in a few eccentric passengers on board the luxurious transatlantic liner, a few hot sailors and some sexy ladies you have the start of a great musical.

But the creative team and performances have lifted this show to another level. Directed by Daniel Evans, with choreography by Alistair David and musical arrangements by Nigel Lilley, this show is only in Wimbledon for another week but embarks on a lengthy tour this year and is one not to miss when it stops in town. You'll be tempted to stow away with them too.


A very excited post show reaction with @johnnyfoxlondon follows...

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