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The agony and the misogyny: Banging Denmark @finborough

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Banging Denmark, the comic play by Van Badham, answers the question, what lengths does a misogynistic pickup artist go to date with a frosty Danish librarian? It may be an uneasy farce given the subject matter, but it is made more palatable by the cast assembled to convince you of it. It's currently having its European premiere at the Finborough Theatre .  It opens with Guy DeWitt (Tom Kay) at one end of the stage. His real name is Jake, and he's a part-time podcaster whose expertise is misogyny and playing the role of the pickup artist. That is, someone who attempts to coax women into having sex with a mix of flattery or manipulation. His podcast attracts a variety of involuntarily celibate men (or incels), so call in asking for advice. And while he gives the impression of living the high life, he is in a grimy flat strewn with empty pizza boxes.  At the other end of the stage is feminist academic Ishtar (Rebecca Blackstone). She lives out of the photocopy room, losing all her

Cabaret sisters doing it for themselves: Sibling Revelry @HippodromeLDN


It would be fair to say that Ann Hampton Callaway and her sister Liz Callaway raised the roof with their sensational cabaret show at the London Hippodrome. Smart and engaging with some terrific witty banter, it is hard to imagine a better show in London at the moment.

Both are stars of New York’s cabaret scene and have both been Tony Award-nominated for their performances in major Broadway musicals. Music is clearly in their bones having grown up in a musical family. They have had acclaimed careers in their own right but the show is is an opportunity to update the show they performed together back at the Donmar in 1996.



At first glance it is hard to believe they are siblings given their different appearance and style.

Ann Hampton Callaway has a smouldering voice (and sultry looks). But she can also blow the roof off when she sings a number such as Blues In The Night. Watching her perform this number was a cathartic experience.

Contrasting this is her younger sister Liz with her beautifully clear and unforced soprano. This was evident with her performances of the songs  Meadowlark and The Story Goes On. The latter being from the musical Baby in which she originated the role of Lizzie.


But when they appear together their harmonies and their ability to interpret a lyric are simply astounding. But there is a warmth and humour that comes across, even as they compare their respective careers, with a hint of sibling rivalry revelry.

The set list was a thoughtful collection of songs that played to their strengths as soloists and individuals along with marking key points of their respective careers (to date).


There is also an opportunity to point out that Ann is not just a terrific singer but a composer with a performance of the theme song from The Nanny.

Anyone interested in performance should go and see this masterclass in Cabaret.

Directed by Dan Foster, with Alex Rybeck as Music Director and on piano, Colin McCann on drums and Rob Hutchinson on bass.

Sibling Revelry runs only until Saturday at the London Hippodrome.

⭐︎⭐︎⭐︎⭐︎

Photo credits: Darren Bell

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