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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Passing through: Rotterdam @Rotterdamplay @Theatre503

Rotterdam is a unique and hilarious story about gender, sexuality and life abroad by playwright Jon Brittain. It is made even more memorable by the strong and tender performances by the leads.

It’s having its world premiere at Theatre503, which is continuing to nurture original new writing in London. It has to be the first “gay play” or perhaps the first "lesbian transgender comedy" in a long time to explore something that feels like real characters.

The premise is that it is approaching New Year in Rotterdam and Alice has finally worked up enough courage to come out to her parents and tell them that she is gay and living with her girlfriend Fiona. But the email is never sent as Fiona reveals that he has identified as a man and wants to start living as a man named Adrian.

While Adrian starts transitioning Alice now has to decide what this means for her, and does that mean she is now straight? Meanwhile a Dutch girl in her office has her eye on Alice and wants to make a connection.

The piece is a wonderful character study that unfolds to explore real emotions and practicalities. It also gets the balance right between the seriousness of the subject matter and laugh out loud comedy. It even feels like you have been given a glimpse of life in this port city.

As Alice and Fiona/Adrian, Alice McCarthy and Anna Martine create a warmth and chemistry together that brings out the humour and the heartbreak of the piece. There is also an excellent performance from the blokey Ed Eales-White and whose relationship with both women is a crucial part of the story.

Jessica Clark as the local office girl Lelani is also funny as the girl who gets Alice to look at her life and the world around her.

It is also a lesson in gender fluidity that seems fairly topical these days - particularly if you are transitioning from male to female. And it feels like this could be destined for a much bigger future.

Rotterdam is playing at Theatre 503 and runs until 21 November. The piece was also a seed commission for Theatre503’s 503 Five New Writing Scheme in 2012/13. Don’t miss it.


First impressions with @johnnyfoxlondon follows...

Photo credit: Production photos by Piers Foley Photography

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