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Ruthless People: Ruthless - Arches Lane Theatre

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What is it about the Madoff’s that writers can’t resist writing about? Sure, it may have been the largest Ponzi scheme to collapse (so far), but there isn’t much more to explore. Or is there? In Ruthless by writer Roger Steinmann, Ruth Madoff is imagined as a wronged, gun-toting woman anchored in the past while trying to move on with her life. It’s not entirely successful but a fascinating look at life and wig choices, It’s currently playing at the theatre now known as the Arches Lane Theatre in Battersea. Ruth Madoff, played by Emily Swain, is here wearing a wig. I thought it was an odd look until I reviewed how closely it matched the photo of her interview in  The New York Times .  Typically, it’s the sort of wig you might see worn by Ladies on a night out in central London, not someone who once had over $80m in assets. With Bernie in Jail and both her sons now dead - one by suicide and one due to cancer, she is setting a table for the men who have left her. And ordering p...

Passing through: Rotterdam @Rotterdamplay @Theatre503


Rotterdam is a unique and hilarious story about gender, sexuality and life abroad by playwright Jon Brittain. It is made even more memorable by the strong and tender performances by the leads.

It’s having its world premiere at Theatre503, which is continuing to nurture original new writing in London. It has to be the first “gay play” or perhaps the first "lesbian transgender comedy" in a long time to explore something that feels like real characters.

The premise is that it is approaching New Year in Rotterdam and Alice has finally worked up enough courage to come out to her parents and tell them that she is gay and living with her girlfriend Fiona. But the email is never sent as Fiona reveals that he has identified as a man and wants to start living as a man named Adrian.

While Adrian starts transitioning Alice now has to decide what this means for her, and does that mean she is now straight? Meanwhile a Dutch girl in her office has her eye on Alice and wants to make a connection.

The piece is a wonderful character study that unfolds to explore real emotions and practicalities. It also gets the balance right between the seriousness of the subject matter and laugh out loud comedy. It even feels like you have been given a glimpse of life in this port city.

As Alice and Fiona/Adrian, Alice McCarthy and Anna Martine create a warmth and chemistry together that brings out the humour and the heartbreak of the piece. There is also an excellent performance from the blokey Ed Eales-White and whose relationship with both women is a crucial part of the story.

Jessica Clark as the local office girl Lelani is also funny as the girl who gets Alice to look at her life and the world around her.

It is also a lesson in gender fluidity that seems fairly topical these days - particularly if you are transitioning from male to female. And it feels like this could be destined for a much bigger future.

Rotterdam is playing at Theatre 503 and runs until 21 November. The piece was also a seed commission for Theatre503’s 503 Five New Writing Scheme in 2012/13. Don’t miss it.

⭐︎⭐︎⭐︎⭐︎

First impressions with @johnnyfoxlondon follows...

Photo credit: Production photos by Piers Foley Photography

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