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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Let's talk about stuff: Clickbait @theatre503

Clickbait is a comic new play about society’s attitude to porn and the women who make it for themselves. But it is hard to know exactly what to make of it.

There is enough material for several plays here; attitudes to pornography, how to set up a sex empire, concepts of consensual sex. They are all explored, but all too briefly to make much sense.

The play follows Nicola (played by Georgia Groome) who, threatened with the release of an amateur sex video, makes a snap decision to post it online herself.

But soon she is fielding unrelenting media interest and setting up her own sex empire with her two sisters as if it were as easy as setting up a theatre blog.

It all feels a little superficial. The youngest teenage sister (played by the amusing Alice Hewkin) also gets the raw deal in having to explain vast chunks of social media-speak to the audience.

The silliness builds as Nicola becomes a powerful porn magnate who wears polyester pyjamas and bunny slippers. It only redeems itself in the final moments when it grounds it back to origins of the revenge porn.

It is a pity as there is an interesting story among it all. There are some interesting ideas about responding to revenge porn, social media trolls (depicted by the actors with masks) and what it is to be sexually empowered. But none of them are considered long enough to support the show.

And while the title is catchy, it is a little confusing. Clickbait is those links to stories such as "how to retire at 55" or "what you should do for thinning hair". It isn't really about sex or revenge porn. But then again, I wasn't sure the play was either...

Clickbait by Milly Thomas runs at Theatre503 until 13 February.


Photos: Production images by Oliver King

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