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Ruthless People: Ruthless - Arches Lane Theatre

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What is it about the Madoff’s that writers can’t resist writing about? Sure, it may have been the largest Ponzi scheme to collapse (so far), but there isn’t much more to explore. Or is there? In Ruthless by writer Roger Steinmann, Ruth Madoff is imagined as a wronged, gun-toting woman anchored in the past while trying to move on with her life. It’s not entirely successful but a fascinating look at life and wig choices, It’s currently playing at the theatre now known as the Arches Lane Theatre in Battersea. Ruth Madoff, played by Emily Swain, is here wearing a wig. I thought it was an odd look until I reviewed how closely it matched the photo of her interview in  The New York Times .  Typically, it’s the sort of wig you might see worn by Ladies on a night out in central London, not someone who once had over $80m in assets. With Bernie in Jail and both her sons now dead - one by suicide and one due to cancer, she is setting a table for the men who have left her. And ordering p...

Oh Canada: Proud @Finborough #Proudtheplay


The former Prime Minister of Canada Stephen Harper is the subject of Proud currently playing at The Finborough. It asks what havoc he would have wrecked if he won a larger majority in 2011?

Written by Michael Healey in 2011, it suggests a nightmare situation of a petty-minded leader who uses whatever means possible to achieve his vision. A small-minded vision focused on making the government just a little smaller than it currently. And of course annoying the Canadian Liberal establishment.

Viewing it from the United Kingdom with our shambolic political system, you may be tempted however to think Canadians never had it so good.


After his election in 2011, it must have felt that Harper had consolidated his power. But even political satire can be overtaken by events. Justin Trudeau and the Liberal Party in 2015 defeated Harper. There appeared to be a collective sigh of relief that a man who used tactics of fear and division was out of office.

Here Harper (just called the Prime Minister) is made much more likable with a strong performance by Nicholas Cass-Beggs. He is a bit like a kid in candy store trying to put in place his little vision to end big government. And with a larger majority than anyone expected he has more power than he knows what to deal with. But newly elected conservative representative Lyth (Emily Head) turns out to be his match.

He gets her to promote a private members bill on abortion to distract attention from his other government reforms. At first she seems naive about government but as the play progresses and the two spar about politics and ideas, or is it just about sex? Head has all the best lines and exudes sexual freedom. But she also displays a vulnerability a single parent.

Rounding out the cast is Jude Monk McGowan as Baines the Prime Minister’s Chief of Staff and Will Firth as Jake, Lyth’s son when grown up, running as an independent candidate.

But all of this appears quaint compared to the post-truth politics of Britain and the United States. Even the worst excesses of Canada seem tame: stacking the upper chamber, private members bills to distract the media from other government business. Here in the United Kingdom we have an equally shambolic House of Lords. There are endless enquiries and parliamentary committees to distract attention and bury bad news. And not forgetting a news media that never knowingly is fair and balanced.

Democracy may be depressing but here the pacing is kept brisk under Jonny Kelly's direction. In the end you can’t help feeling envious of Canada even if you don’t know much about their politics other than the core appeal of Justin Trudeau.

Proud runs at the Finborough Theatre as part of its Sunday to Tuesday production and concludes this week on 2 August.

⭐︎⭐︎⭐︎⭐︎

Photo credit: production photos by Venus Raven


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