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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Work life balance: The Sewing Group @RoyalCourt


The Sewing Group is a fabulously subversive piece of theatre at the Royal Court. The piece by EV Crowe explores secrets, the impact of technology, the overcomplicated and the over analysed. All within a wooden box-like set lit by candle light.

It starts out innocent enough, but then has you perplexed. There are a series of very short (and disorienting) scenes where very little is given away. There are long silences and long blackouts. In one scene all that takes place is a distant fart. It was so distant that it made me wonder whether it came from the audience.



The story centres around the arrival of a woman at a village in pre-industrial England. She wants to learn to sew and understand their simple way of life. But things don’t turn out to be what they seem. With anachronistic references and odd behaviour the piece slowly builds to its twist. It would be wrong to give this away but the twist is both amusing and a bit sad.

In keeping with the central message of the piece it would be wrong to over complicate things by saying too much about it. There is a strong central performance from Fiona Glascott as the resilient mystery woman. She may have strength but it also may be masking an emptiness.

Directed and designed by Stewart Laing, The Sewing Group runs until 23 December.


Photos: Production photos Stephen Cummiskey

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