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Ruthless People: Ruthless - Arches Lane Theatre

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What is it about the Madoff’s that writers can’t resist writing about? Sure, it may have been the largest Ponzi scheme to collapse (so far), but there isn’t much more to explore. Or is there? In Ruthless by writer Roger Steinmann, Ruth Madoff is imagined as a wronged, gun-toting woman anchored in the past while trying to move on with her life. It’s not entirely successful but a fascinating look at life and wig choices, It’s currently playing at the theatre now known as the Arches Lane Theatre in Battersea. Ruth Madoff, played by Emily Swain, is here wearing a wig. I thought it was an odd look until I reviewed how closely it matched the photo of her interview in  The New York Times .  Typically, it’s the sort of wig you might see worn by Ladies on a night out in central London, not someone who once had over $80m in assets. With Bernie in Jail and both her sons now dead - one by suicide and one due to cancer, she is setting a table for the men who have left her. And ordering p...

Kosher cougars: A Dark Night in Dalston @ParkTheatre


No matter what your religious or cultural background, all you need is a warm hearted older woman to perk you up. And chewable painkillers. And tea in a paper cup. These are all important in A Dark Night in Dalston which is currently playing at Park Theatre.

In the piece Council estate resident Gina brings in a young devout Jewish man lying outside her flat for a plaster and hot cup of tea. Some of the lads on the estate roughed him up after he was visiting the local slapper.  It wasn't so much as anti-Semitism as robust local banter.

Anyway while she is tending to his cuts and bruises and offering him tea the sun sets. And so he can't go home as it's the sabbath.  He doesn't want to face his father and he doesn't want to face his fiancee. Gina is an ex-nurse and full-time carer. But what care does young Gideon need? What draws him to Dalston in the first place since he comes from Stanmore? Couldn't he find what he was after in Kilburn?


Many of these questions remain unanswered throughout the piece, even if Michelle Collins and Joe Coen are engaging in their banter and give the piece much of its sexual tension.

Stewart Permutt's script is also full of laugh out loud moments. But as the piece goes on it becomes less plausible. The Dalston in this piece doesn't feel like the gentrifying piece of inner London it is. Perhaps the hipsters, the bankers and thriving arts scene of the area inhibit another parallel Dalston.

At its current length it feels like there are several endings to the story. If there was only one it would have more edge.

Directed by Tim Stark, A Dark Night in Dalston is at Park Theatre until 1 April. Check the website for available dates as the show is close to selling out.

⭐︎⭐︎⭐︎

Photos by Helen Murray

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