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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...

Bang pop kapow: Big Guns @YardTheatre


 It's bad enough walking about the back streets of Hackney alone on a quiet mid-week evening without having to worry about a man with a gun. But after seeing Big Guns at The Yard Theatre that's all I was thinking about.

The man with a gun features a lot in writer Nina Segal's piece. It's part fear and part celebration of a culture of violence. Actually it is mostly fear. With a backdrop of pop culture references, pornography, terrorism, milkshakes and popcorn.

It's all topical as the banter moves between one violent act and the next. It is a two hander and opens with Two (Debra Baker) and One (Jessy Romeo) sitting in what could be a cinema. Wearing 3D glasses and stuffing their faces with popcorn.


But as the piece progresses the fear sets in. You can smell it (along with what appears to be wafting into the audience from the rubbery set). Words and scenes are pelted at you with such vigour you cannot escape. From the trolling of a video blogger to random acts of violence passed off as terrorist atrocities.

Eventually the repetition of fear and loathing starts to impact. But perhaps not as always intended. But there is no time to dwell too much here as the piece moves quick.

And the man with a gun will linger in your mind. If only to ponder that it seems quaint to fear something that is so scarce in this country. I'd like to see a piece about fearing the man with the rental car from Birmingham. That's a little bit closer to reality.

Directed by Dan Hutton, Big Guns is at The Yard until 8 April.

⭐︎⭐︎⭐︎



Photos by Mark Douet

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