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Death becomes her: A Brief List Of Everyone Who Died @finborough

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For a natural process, death is not a topic that comes up naturally for people. We ask how people are doing but expect the response to be “I’m great”, not “I’m not dead yet”. And so for the main character in A Brief List of Everyone Who Died, Graciela has a death issue. Starting with when she was five and found out only after the matter that her parents had her beloved dog euthanised. So Graciela decides that nobody she loves will die from then on. And so this piece becomes a fruitless attempt at how she spends her life trying to avoid death while it is all around her. It’s currently having its world premiere  at the Finborough Theatre . As the play title suggests, it is a brief list of life moments where death and life intervene for the main character, from the passing of relatives, cancer, suicides, accidents and the loss of parents. Playwright Jacob Marx Rice plots the critical moments of the lives of these characters through their passing or the passing of those around them. Howeve

Bang pop kapow: Big Guns @YardTheatre


 It's bad enough walking about the back streets of Hackney alone on a quiet mid-week evening without having to worry about a man with a gun. But after seeing Big Guns at The Yard Theatre that's all I was thinking about.

The man with a gun features a lot in writer Nina Segal's piece. It's part fear and part celebration of a culture of violence. Actually it is mostly fear. With a backdrop of pop culture references, pornography, terrorism, milkshakes and popcorn.

It's all topical as the banter moves between one violent act and the next. It is a two hander and opens with Two (Debra Baker) and One (Jessy Romeo) sitting in what could be a cinema. Wearing 3D glasses and stuffing their faces with popcorn.


But as the piece progresses the fear sets in. You can smell it (along with what appears to be wafting into the audience from the rubbery set). Words and scenes are pelted at you with such vigour you cannot escape. From the trolling of a video blogger to random acts of violence passed off as terrorist atrocities.

Eventually the repetition of fear and loathing starts to impact. But perhaps not as always intended. But there is no time to dwell too much here as the piece moves quick.

And the man with a gun will linger in your mind. If only to ponder that it seems quaint to fear something that is so scarce in this country. I'd like to see a piece about fearing the man with the rental car from Birmingham. That's a little bit closer to reality.

Directed by Dan Hutton, Big Guns is at The Yard until 8 April.

⭐︎⭐︎⭐︎



Photos by Mark Douet

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